England’s Heritage in Photos: Swinstead Church of Saint Mary, Lincolnshire – More Medieval Wall Art

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Swinstead lies in the beautiful south west Lincolnshire in the east of England.

Interestingly, in Shakespeare’s play King John, Swinstead is mentioned several times, maybe in mistake for Swineshead, where King John is thought to have visited on his last journey, before he died at Newark in Nottinghamshire.

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Like nearby Corby Glen church, there are some examples of medieval wall art.

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There is an explanation for the symbols incorporated into the wall art.

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copyright words and photos Francis Barker 2019

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England’s Heritage in Photos: Corby Glen Church, Lincolnshire – Medieval Wall Paintings

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Lincolnshire in the east of England has some wonderful, often underrated medieval churches.

One such is in the south west of the county, in the lovely village of Corby Glen. Here on many of the walls of the church you can see paintings and illustrations of religious and spiritual imagery, representing stories from the Bible and the faith and beliefs in general of the later medieval period.

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If you look carefully, you can make out several layers of art, where older ones have been superseded with new work.

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During the Reformation in the 1500s, all of this art was whitewashed over, part of the process of removing all imagery, which also meant stripping out idols and even rood screens which separated the nave from the chancel.

It was only in more recent times that this treasure trove of art was rediscovered through church restoration.

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Today this art represents some of the most important medieval imagery not only in the county of Lincolnshire, but also in the whole of England.

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Devil in the detail.

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Explanation of the imagery inside the church.

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The beautiful setting of the church of Saint John the Evangelist, Corby Glen, Lincolnshire.

copyright words and pictures Francis Barker 2019

England’s Heritage: Saint John the Baptist Parish Church, Peterborough

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Of course, the city of Peterborough’s greatest glory is its amazing cathedral, but that subject deserves a full article of its own.

One of the overlooked features of Peterborough, a growing city in the east of England, is the Parish church of Saint John the Baptist around the cathedral square.

Consecrated in 1409 during the reign of Henry IV, its close proximity to the cathedral and the modern shopping mall attraction of Queensgate, probably detracts large numbers of visitors. However, it is well worth a visit, and as is quite usual in England’s medieval heritage buildings, there are often some wonderful ‘hidden’ gems.

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The south porch entrance is most interesting, particularly the roof in the above photograph.

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The nave is very large and light with a rood screen.

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There is also a wonderful reredos.

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One of the most interesting features is this probable vestments cupboard, dated 1569, a wonderful piece of woodcarving, which I would think is limewood, similar in style to the plethora of such art produced in Germany during the same period.

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The pulpit too had some intricate woodcarving, probably oak by the look of it, although I did not find a date on it, but I would assume it is later than the earlier piece.

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There are even a couple of examples of medieval embroidery by the door.

words and photographs copyright Francis Barker 2019

Haiku: Summer of Love Perspective

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Don’t give me free love
Love is not free, period
Rules have their reason

copyright Leofwine Tanner 2019

Musings on Pluto’s Mask of Invisibility

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By NASA/Johns Hopkins University Applied Physics Laboratory/Southwest Research Institute/Alex Parker – Public Domain, https://commons.wikimedia.org/w/index.php?curid=71082408

I have done a little research on and off for a few years now regarding the ‘outer planet’ Pluto and his supposed effects. Put it this way, I have not been satisfied with terms like ‘transformation’.

I shall not go into it too much here as it is ongoing, but suffice it to say that I find I’m in agreement with many these days who think that Uranus, Neptune and Pluto, the so-called outer planets, only really come into serious play by their placement, their relationship if you will, by either being angular or in close aspect to the true planets, or both. I don’t believe (yes, it is a belief) that Pluto rules Scorpio, for instance.

Demotion

Of course Pluto was demoted from planet status several years ago, it being essentially classed a kind of minor binary system involving a sibling called Charon (the ferryman of Hades in myth), with whom Pluto does this merry dance in the remote, dark reaches of this solar system. Yet, despite this, there doesn’t seem to be any lack of interest in him in astrological circles.

Pluto was first discovered officially in 1930 and many have attributed the dark, ‘underground’, extreme forces that were appearing in the world at the time to the planet’s arrival in the mainstream.

Does he have a name?

Then of course we have the name of the planet. I mean why call him Pluto? The work of Percival Lowell led to the discovery of Pluto, and of course his initials are the first two letters of the name. Then of course we have Mickey Mouse’s dog, Pluto, named after him.

So the question is, did the recognition of each ‘outer planet’ reflect the time of its discovery?

I have seen it said that Uranus, discovered in the late 18th century, coincided with the American and French revolutions, plus the beginning of the Industrial Revolution. Well, I suppose Uranus has a reputation for turning things over.

Neptune was discovered in the mid 19th century, though it is far less clear what was going on then (spiritualism?) which we could call Neptunian – but maybe that’s just Neptune being Neptune, hard to make out really.

Synchronicity

And then Pluto around 1930 and the rise of fascism, communism: I get the point. Pluto is the Roman name for the Greek Hades, king of the Underworld. In mythology Hades had a helm, cap, or mask, which reputedly made him invisible, sometimes also called the Helm of Darkness. All these are what we might associate with Pluto. Either way, the mask allowed the wearer to disappear, or be undetectable, a bit like Pluto on his 248 year travail around us. I’m not sure I believe in synchronicity.

But the mask of invisibility only belongs to Pluto/Hades, others wore it to become undetectable, it is not Pluto himself. So maybe, to conjecture, in astrological terms Pluto by close aspect lends secrecy to whomever he is masking/aspecting? I don’t know, it’s something I’m looking at.

Can you keep a secret?

Nevertheless, we all know how dangerous and devastating secrecy can be, hiding true intent, a bit like the cloaking device used by the Klingons in Star Trek, or even like a ‘bird of prey’ using extreme speed (peregrine falcon for example) to disguise its final, devastating kill.

As an example, take a native with Mars closely conjunct Pluto, might the interpretation be that the Martian energy has the potential to be hidden, yet also potentially more focused and dangerous as a result? And if that energy is hidden, suppressed even, then there may be deep psychological implications too. If Neptune were conjunct Mars we might expect dissipation of that force; with Uranus we could see sudden, violent outbursts of energy.

I will leave the musings there but I intend to try and use living examples in later posts. I’m trying to keep an open mind, with the understanding that the whole truth can never be known. Thanks for your patience – these are just my musings.

I Don’t Buy Shoes

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The other day I had cause

to open your wardrobe and shoes

fell out like maggots

from a corpse.

 

New shoes

old shoes

blue shoes

broken shoes.

 

A pair for every day of the year

it seemed.

Try as I might

I couldn’t get them all back, for

 

I don’t have your gift

for packing or hoarding. So I

put some in my wardrobe

because I don’t buy any shoes.

poem and image ©copyright rp 2016

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A light held aloft

nature’s path to liberty

treasure in a field

 

words and picture ©copyright rp 2016