Please read ‘The Pier’ – A new poem about the times we live in

The Pier

He wished the promontory
would go on forever.
In his mind the wooden boards

stretched out into the ocean
to meet some vague vanishing point.
And that’s where he was,

the absolute part of him.
Disembodied.
Looking back on all that was,

what he’d become,
the pier a mere crustacean,
grey-white and beached,

the town and its cliffs
his Turneresque attempt
which convinced no one.

So what was it, from that viewpoint?
Nothing without distance and light.
Reaching the place

where the boards ran out,
he held onto the rusty rail,
seagulls all around

like wayward thoughts,
until she finally caught up
and gently took his arm.

© copyright David Francis Barker

Wells Next The Sea, Morning Colour

Image ©Copyright Francis Barker

The North Norfolk coast is one of my favourite subjects, as it is for many artists, both now and in the past. The harbour at Wells is a particular favourite, especially early morning, or late at night. Misty conditions are equally atmospheric.

This painting has been completed in acrylic on stretched canvas, about 605 x 455 mm. If you are interested in buying the painting, please contact me on francisbarkerart@gmail.com

Art for Art

Cut backs or not, we can all still appreciate art. You can look but you don’t have to buy. You can buy and it doesn’t have to cost the earth.

I will carry on with my landscapes, seascapes and look to increase my watercolours and pastels (even oil pastels, once my favoured medium).

Why do I do it? The chance to capture that indefinable something.

Watercolours on the Way

To augment the oils and acrylics, there will be some watercolours coming soon.
At one stage this was my favourite medium and it will be nice to get back in the swing, so to speak. I like their immediacy but usually, for me at least, there’s no going back once your committed.
A bit like life, really, watercolours.

Acrylic Difficult to Master

I am basically a painter in oil but, perhaps ironically, the more ‘serious’ painting I have done recently have been in acrylic.
This may have been something to do with the scale, larger canvases. I find it easier to cover larger areas with watered down acrylic.
There is also something about the immediacy of acrylic. You have to work fast, so maybe this makes me worry less about detail and look at overall effect.