Window on The West

fenlandsunset

From here I’ve seen

thousands of suns,

the days end with copper glints 

through languorous trees. Summer’s 

apogee is seed of summer’s end, sure 

as swifts scream out the balm of night.

 

A fast-forward pipistrelle delays 

the drawing curtains, ever 

thankful for the light.

On the windowsill the sphinxing cat 

sleeps, pointing 

the way to live

Poem and picture ©copyright rp 2016

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Interesting Textures 2

oilpaint2

Oil paint with a varnish can look fascinating close up, suggesting other things, like food or less palatable things…

oilpaint1

… and sometimes it almost looks like geographic features from space. It is the imperfections that are most interesting, the unintentional strokes. Here the use of the underlying canvas adds to the interest.

 

images and words ©copyright rp 2016

Milly Reynolds’ new book out soon on kindle

Web

This is the cover of Milly’s new book, ‘Death for Art’s Sake’, soon coming out on kindle, and later on smashwords.
Eighth book in the Mike Malone series, this time Mike finds himself drawn into a macabre murder, all in the name of art…!

image © copyright Milly Reynolds 2013

Poem: Summer Coming In

spring summer

Spring finally comes, like your
warm breath on my
desiccate skin. So then
sing to me of careless summers,
your smile, where
love begins

© copyright David F. Barker 2013

Poem: April 2

daffodils3

No longer will I bore you with my
mother’s life, and how I wish I could change
the way of her death. Thirteen years

is a long time, abridged by events that
just happen down this road. Though more
and more, this life seems impersonal, like

watching a new born lamb, sweet
to touch and then later to taste. How does
this lover turn carnivorous at a stroke?

And the lamb, like its mother, is a mere
vessel – when you’ve seen one, we all
know how we’ll react. So don’t get me wrong,

but Mum, you were a function, a role you
played so well, and no matter how
I embellish your memory at this time – well,

there you go, I have done it once again

Poem: ‘Clothes’

clothes

These are my favourite clothes, I
wear them for days on end.
See?
They retain their shape,
my shape,
even when I toss them
into wardrobes, or hang them from
skeletal frames, dis-
assembled, waiting for warm
odours of my living
return.

So say you’ll never throw them
out, and resist all
temptation to wash. Simply
lay them on a chair or bed – though
mark the creases,
the bulges of cotton limbs, fleshy
legs which have moulded denim,
now hanging in threads. And make sure
to study the greasy collars, precious
oils of my skin. Then take
hold of this shirt, stretch the faded
fabric in your hands and breathe in
the smell of years. Remember
the walks and our talks, when
there was only time to kill. For these
things, which may be nothing now, are
still worthy of note, the relics of
a single life
and not without right

image and poem © copyright David F. Barker 2013

Poem: ‘Turning’

foam

Is there a point where the tide
stops,
a moment that I could see, or touch?
I’ve been looking
at tables giving times, exact
minutes of apogee, and it was
just here I’m sure,
right here,
where I pointed
and watched
and saw nothing, except
the foam stretch ahead of me
like phantom silk, all
along the buff triassic sand, as far
as I could see or walk.
“That’s where the waves
stop,” you said, “where the tide
turns back to the sea – and me.”

image and poem © copyright David F. Barker