Excellent Archive of Tartary Maps and Cultures — Aplanetruth.info (Reblog)

According to the old world maps, at times it reached the borders of China and Mongolia. Little is known about the people inhabiting the land at that time and due to the lack of information people are still speculating if it was an area or an actual country. Europeans during the 19th century and earlier […]

Excellent Archive of Tartary Maps and Cultures — Aplanetruth.info
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‘Solitude is like a rain…’ Rainer Maria Rilke — Astrology Musings

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It is Rilke’s short collection, ‘Letters to a Young Poet’, which has inspired many people of all ages for around a century.

His messages to this one individual, Franz Xaver Kappus, now immortalised in print, convey the need to go deep within, to accept the human condition of loneliness and isolation and to absorb it. His most famous works included ‘The Book of Hours’, ‘The Book of Images’, ‘The Duino Elegies’ and ‘Songs to Orpheus’.

What kind of man was this? And how has such a message, seemingly contrary to the accepted ‘wisdom’ of our times, found such favour?

Dressed as a girl

Rainer Maria Rilke was born in Prague in late 1875, a member of the German speaking ruling classes of the disparate empire of Austria-Hungary in central Europe. He was always conscious of this and never entirely happy being within it. In his latter years, he would reject it entirely whilst living in Switzerland, where he composed solely in French.

His early situation was not helped by the fact that he had an older sibling, a girl, who died a year before he was born. When he arrived, his mother appears to have wanted another girl and Rainer, or René Karl Wilhelm Johann Josef Maria Rilke, as he was originally christened, was dressed in girls’ clothing during his formative years. This would have had a profound early psychological impact upon him.

Acceptance of Czech and Slavic culture

He was later sent to a military academy, which he despised, yet he looked back on it as a formative and even necessary experience. Unlike his mother, he always had a sneaking admiration for the Czech/Slavic majority culture, even though it was deemed lower class in comparison to the ruling Germanic. He had Czech girlfriends and got know an uncle of one who had visited Russia and knew Russian literature.

Then his life changed profoundly when he met Lou Andreas Salome, a married Russian aristocrat significantly older than him. Despite her marital status he accompanied her and her husband to Russia first in 1899 and again with her alone the following year, 1900. Here he met the Russian literati, including Tolstoy and Pasternak.

Mother Russia — his spiritual home, or ‘heimat’

But it was his experiences with the simple Russian and Ukrainian folk that had the deepest impact upon him; their complete involvement with the Orthodox culture, full of ancient tradition and festivities. This plus the largely unspoiled Russian countryside, the steppe and its agricultural calendar, opened his eyes to a God essentially created by Man, at least within his own existential thinking. And of course, this was the inspiration for all his later work, beginning most especially with ‘The Book of Hours’.

He would spend several years living and working with the sculptor Rodin in Paris too, another period of change which took him another step forward. In fact, he was restless, always travelling, searching outwardly, and most especially inwardly — the isolation of the individual, his self, which he cherished the most and encouraged others to learn to accept.

No pain killers

Rilke lived his philosophy to the end, too. When he knew he was dying, he was reluctant to take pain killers — they might have detracted from the profundity of the experience. So can a look at his astrological chart, as given, reveal what was going on within his psyche?

He has Virgo rising, showing an analytical and critical approach to life. The midheaven and 10th house in Gemini points towards a career involving communication and much coming and going. Both Virgo and Gemini are ruled by Mercury, who is found in Scorpio in the 3rd house of the mind, challenged by Mars in Aquarius in the 6th house. Scorpio is deep and penetrating, investigative. Here was no whimsy, but someone who dwelt upon issues, but who could also get highly irritable, agitated, to the point where it could affect his health.

A wanderer in body and mind

His Sagittarian sun of self and uniting Venus are in the 4th house of the home, family, ancestors. Sagittarius is another mutable or changeful sign, imbued with a wanderlust, particularly for longer distances. Sagittarius is noted for going far and wide. However, although this is true of Rilke, who travelled extensively in Russia, Europe and north Africa, it was always in search of something inside, his ‘heimat’, or true spiritual home. He was to find this in the much maligned old Russia prior to the revolution and was to carry this realisation always.

His 4th house Venus is supported by being trine Neptune and sextile Mars, indicating his spiritual and passionate yearning for the numinous, ultimately for God, although even with the best aspects Neptune is illusory. His attitude towards relationship (he had many) is typically idealistic, in which he sees each partner upholding the space between them, like guardians of their separate, lonely selves. So love was always going to be a very difficult thing for him, holding up such ideals, perhaps indicated by Neptune’s aspect here.

His sun ruler, Jupiter, is also in Scorpio, just like his chart ruler Mercury. So we have both planets associated with the mind in deep, penetrating Scorpio, in the house of the mind. Rilke gave a new meaning to deep, passionate thought.

Bearing his cross

Dominating his chart is a loose grand cross in fixed signs and cadent houses. This could be seen as the cross he bore throughout his life. The Moon conjunct Saturn in Aquarius in the 6th house in itself suggests a difficult, restrictive, isolated childhood with illnesses, plus a trying relationship to the mother; so much so the health is also likely to be affected. He seems to have carried this sense of loneliness with him all his life, perhaps the major astrological indication of his philosophy of solitude.

Endless flux of life

This conjunction is opposite the rebellious Uranus in the 12 house of the inner life; sudden, deeper psychological issues are highlighted here, eruptions perhaps from problems stemming from his restrained childhood. Undermining Pluto is opposite Jupiter from the 9th house of travel and the higher mind, which may indicate issues like falling out completely with Rodin and the many new starts he had while abroad. This grand cross represents the continual flux he experienced in life, his difficulties and the existential challenge which he took up.

Finally, the north node of the Moon in the 8th house indicates he was born karmically with deep personal security issues. Individuals born with this tendency need to explore more deeply (8th house/Scorpio) through involvement in deeper, more profound psychological areas to do with security. Rilke appears to have instinctively understood this challenge and taken it up.

Copyright Francis 2021

HANS REMEMBERS- THURSDAY OCTOBER 8, 1970- 50 YEARS AGO — slicethelife (Reblog)

Hans Remembers- Thursday October 8, 1970- 50 Years ago. Soviet author Aleksandr Solzhenitsyn was announced as the Nobel Prize winner in Literature. He would not be allowed to leave the Soviet Union to accept the award. Solzhenitsyn was expelled from the Union of Soviet Writers in 1968. The Soviets were not happy with his winning […]

HANS REMEMBERS- THURSDAY OCTOBER 8, 1970- 50 YEARS AGO — slicethelife

*Aleksandr Solzhenitsyn’s most famous work here.

Prokofiev: Prodigy to Innovator – Astrology Musings

It could be argued that pianist and conductor Sergei Prokofiev was the most popular composer of the 2oth Century. Writing such entrancing classics as ‘Peter and the Wolf’, ‘Lieutenant Kije’ and the ‘Romeo and Juliet’ ballet, there’s little wonder he is so loved now, even if he wasn’t appreciated all the time in his native USSR.

Based on his known birth data, can we begin to deduce what made this musical genius tick?

Born in Ukraine in 1891, Sergei’s musical ability was discovered early. In 1900 aged only nine years he wrote his first piano score for opera.

A Revolutionary

In 1904 he went to the prestigious St Petersburg Conservatory where he was to shine. He established an early reputation for thinking outside of the box. He was an innovator of music, a revolutionary not afraid of change.

He was brilliant at many forms of classical music too, writing seven operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony for cello and orchestra and nine piano sonatas. Yet of all these disciplines, opera appears to have been his favourite.

Traditional Subjects

Prokofiev was a sun Taurean in basic terms, the major luminary being placed in the eighth astrological house of shared security. The Bull is ruled by musical, creative Venus and has produced many a great composer.

Yet Taurus is traditional, not a radical at all. Mercury’s presence in Taurus in the same house indicates that his basic mentality worked along similarly practical, functional lines, with an interest in investing his time profitably.

Prokofiev’s choice of subject was certainly traditional, yet if his instinct for melody and beauty may partly derive from his Taurean essence, what drove him to such heights of innovation?

Photo by Pixabay on Pexels.com

Magician in the Mix

When he was born the cardinal air sign of Libra was rising, which is also ruled by Venus. Libra is diplomatic, generally courteous, often with an artistic flair, so we may assume that Sergei was rather pleasant to meet and easy going.

His Moon is also in this sign, indicating a strong need to be liked socially and keen to meet people. However, Uranus the ‘Magician’ is close to the Moon in his first house, and this may give us the first clue to his revolutionary personality and approach. So whilst being an attractive person, he was also somewhat unusual, eccentric, disruptive in some way.

Selfless Unity in Sound

Let’s look at the important planet of Venus, ruler of the chart and of his sun sign. We find Venus in Pisces, sign of its exaltation, where the uniting principle works at its most selfless.

Venus is in the sixth house of work and efficiency, so this is where this beautifully placed Venusian energy expressed itself, in his day to day activities, bringing beauty in the form of sound to everyone who may care to listen. I am particularly reminded here of Prokofiev’s lovely ‘Peter and the Wolf’ and how effective his choice of melody and intrument are in telling the old tale.

We find another intriguing layer to this complex man in his ninth house of the higher mind and travel. Here are housed Mars, Neptune, the Moon’s north node and Pluto, all within five degrees of early Gemini.

An Interesting Vibration

This conjunction is an interesting vibration. Neptune, as I have discovered previously, is very often prominent in some way in the charts of creative people, particularly musicians and composers. Music does, after all, have ways of touching the soul that other creative forms cannot.

This coupled with Mars in Gemini lends much mental and dexterous energy and expression to Neptune’s other worldly inspiration. Add Pluto to the mix and we have a higher mind of much depth as well as creative diversity.

Photo by Fernando Arcos on Pexels.com

So here too is a man whose philosophy of life is crucial to him, yet difficult, for the north node’s position here indicates that contemplating wider issues did not necessarily come that easy to him but was one he had to embrace. We know he left Russia during the 1918 revolution, living elsewhere, including the USA and France, until he finally returned in 1933.

Ethical Problems and Loneliness

I think the close opposition of Jupiter to Saturn on his sixth/twelfth house axis also reveals the deeper ethical problems he must have encountered on leaving his native land in 1918, probably feeling that circumstances were hardly going to be conducive to his livelihood.

This strongly hints of periods of intense loneliness and isolation, especially when being ‘out of favour’.

Indeed, several of his works were banned by the Soviets after his return, they being deemed not suitable for the new communistic philosophy and culture. Nevertheless, a few years after his death in 1953, his general reputation at home in the USSR was restored.

Copyright Francis Barker 2020

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