You’d think the crabs would learn,
like the canny herring gull does,
buzzing anyone suspected
of bearing food
Generations have stood, sat,
squatted on this spot
overlooking the wide harbour,
an untamed marsh,
engaged by the melding
of land, sea and air,
dangling bait tied to sodden strings.
It’s easy meat for crab and kid alike,
a great treat to see
their briny sojourns in buckets,
arrayed like lines of medals on concrete.
Soon we’ll let them go,
watch each one plop into the murk.
We’ll be back to coax another day,
warmed by the thought of them
in cold dark depths,
waiting for next time
When I look down toward the beach,
the distant pier seems to stride
forward from the shining sea.
I like to look beyond,
to the bands of turquoise and blue,
an ocean painted in bold,
abandoned strokes.
Why are we drawn to the waves?
Those elemental rhythms,
sounds and colours
of a primary world,
where sparse pointillist spots
busy themselves on
yellow-ochre sands.
Some days the morning
unfolds through mists,
groynes spacing out
the distances along the strand,
until a final fade-out,
well before the sea
can meet the sky.
Overhead, pterodactyl shapes
patrol against fresh patches
of blue. As I approach,
the blurred semblances
of buildings appear, rectangles
feathered violet or grey,
as if stepping off the cliff.
Through the dark woods
he became a bright torch
to illuminate overgrown paths
where leaves of oak and ash
caressed my face like friends
On the high moorland
he was the warm fleece
which I wrapped around myself
to shelter from the cold and rain
And when we sat down
in the clearing by a stream
he produced this feast of food
which I shared with a host of birds
and others sitting tamely at my feet
But when he stood up to go
his skin turned a deathly white
I watched helpless
while he vanished silently
into a bank of willow and alder
swallowed by the rush
of the now turbulent stream
The animals all scampered away
to peer at me from somewhere
unseen in the shadows
I began to trudge home
shivering on the high moorland
drenched to the skin
with only hardy sheep for company
who eyed me warily
when I staggered by
Once back in the dark woods
I soon became lost
the stinging branches whipping me
and thorns piercing my flesh
while groping my way through
In my bag I found the old torch
with its flickering light
I hit it against a tree
trying to make it work –
my only recourse
in such a state of loss
* First published in 2011 in poetry collection ‘Anonymous Lines’.
** The illustrations are from a 1990s drawing of a Lincolnshire Church, and a more recent painting of a couple on Cromer beach in North Norfolk, England. CLICK ON AN IMAGE TO SEE BIGGER SIZE!