Poem ‘Anonymous Lines’

Anonymous Lines

Downstairs any morning;
sunlight and smoke
in slow swirling clouds.
The cat wanders in,
cries and wanders out,
flopping down the step
toward shrill sparrow sounds.

An open passage door
through which I follow
into a past, or no time at all.
Gooseberries hairy in the mouth,
that sour shock at the crunch.
Raspberries sweet on the tongue;
peas plucked from the pod,

sitting between rows of green.
His shadow blots out the sun,
a tall silhouette, cap pushed back
as a match is struck.
I follow to runner beans
and strawberry rows,
where the cat rolls over and over.

He is distant now, never hurried,
where it all opens up,
when I cling to his leg
looking down on the dyke
where the moorhen struts.
Out onto prairie fields,
anonymous lines of roads

and pylons. A relentless horizon.

© copyright dfbarker 2012

*first published in poetry collection ‘Anonymous Lines’, available for purchase at: http://liten.be//gHmf9

In this poem, I was trying to convey some of my childhood impressions of summer, my father, and his little piece of land in which he grew all our vegetables. The painting is a slightly digitally enhanced version of an original, showing a typical (although romanticised) summer scene in my neck of the woods – although there are very few woods!

Beginnings of Millennium Wood, Pinchbeck

© Copyright Francis Barker. Mixed media. About 505 x 405mm

I have been a member of the Woodland Trust for many years and so was very pleased that they planted a wood within half a mile of my house.

This mixed media painting was completed using sketches I made in July 2001. They had been lying about for ages until I came across them this year. Needless to say, due to the maturity of the wood, this view does not exist anymore!

Fen Edge, near Pinchbeck, Lincolnshire

©copyright Francis Barker

 

 

 

 

 

 

 

 

 

Here’s one of the lastest efforts, in mixed media, mainly acrylic with a little oil here and there. If you would like to buy it, please contact me on francisbarkerart@gmail.com

Rebirth of the English Landscape

Sir Roy Strong is so right about the English landscape. It is intrinsically wound up with English identity; no matter how urbanised we get, all of us who are English, or who may want to be, are attached to the open views of England, the hills, the mountains, the coasts and the fens.

I believe he is right. Scotland and Wales have their own measure of independence. We must discover our own identity and the process has begun, although England and Englishness never went away. She has been patient, waiting for us to open our eyes. The English rebirth has indeed begun in a profound, sustained, inward, but ultimately legitimate way. I hope to play my part in it.

And did those feet…?