Often considered one of the three great ladies of impressionism, Berthe Morisot’s works were described as exuding much feminine charm.
Born to a wealthy family, her early style was said to be ‘effleurer’, or of a light touch, though her palette was usually quite restrained in the use of colour.
She had three major periods in her work, watercolour, pastel, and then oil painting, though at times she was not averse to mixing all three mediums together. Even during her lifetime she was considered one of the best impressionists and still has a high reputation today.
Responsive love of balance
What can we see from her chart?
She has Cancer rising, making the Moon her ruler, which is in Libra conjunct Mars in house 4.
She seems to have had very strong feelings, and could probably argue well. The Moon in Libra loves balance and harmony and this is invigorated by the Martian energy. She was clearly very responsive. Mars is also the ruler of house 10 of career and house 5 of creativity, all indicative of an energetic and creative career.
A spur to achievement
Her Capricorn Sun in house 7 along with Mercury, gives her the ability to graft and study seriously, but clearly her marriage to Manet’s brother Eugene was extremely important, as was her relationships to other artists of that period, from whom she gained much inspiration.
However, the Sun’s challenging square to her Moon and Mars, shows that there were some major difficulties in her relationships at home, possibly in her childhood, which could have felt like a cleavage, but a spur to achievement in the long run.
A sea of artistic inspiration
It’s like her own strong feelings being at loggerheads with her sense of duty as a person as she grew.
Most interesting of all to my mind is Venus conjunct the MC in Pisces in house 9. If Venus can represent an aspect of art, then Pisces is like a sea of inspiration, very close to one of the prime indicators of career, or life direction.
This, perhaps, more than any other point in her chart, describes her very soft, subtle signature style of ‘effleurer’ and the ‘feminine charm’ she was known to illustrate in her work.
copyright Leofwine Tanner 2019