Category: oil painting

Poem ‘A Tale of Love’

I first fell in love with you in a map,
a sort of pentagon, sacré, teased out
a touch like a stretched piece of dough. Then
it was the names, the easy non-phonetics
conjuring visions and colour through
Fontainebleau and Versailles. But then,
of course, it’s the history that defines me
and you, those first tragic lines etched
large, bold and bloody by le Bâtard, a family
dispute of a single culture cleaved
by hatred and greed, melded by chivalry.
For so long la Manche was not a divide
(and never la différence), more a conduit
of ideas flowing north, longbows sailing
south. Oh, we have divided since; your gift
for re-invention, dispensing with kings, that’s
something I cannot conceive, even though
we did have a go. But I only have to
look at Claude and Edouard, Paul
and Vincent, to get it, to understand— there’s
a love neither can openly express, though
look more closely, you will find it in our eyes

© copyright David F. Barker 2012

Poem ‘Bede’

Bede

It wasn’t at Jarrow where I sensed you
but on Bamburgh’s raging shore,
among the seaweed and razor shells
on gull peppered sands,
its castle brooding behind me
like a huge chiseled tomb.

North waves were scrambling,
spilling memories of guttural voices
disguised in flushing sound;
cries of songs, harps and old tales lost,
fragments I could almost hear
when I turned my head into the wind.

And who was the black figure
bent against the breeze,
absorbing sharp light
on that blinding beach?
I struggled through the dunes,
the little islands of sparse grass
and pygmy flowers —
but you were gone,
extant only in memory,
my boundless imagination,
and in your books
which carry me through centuries
on a primal wave,
each time I read your words

Poem and image © copyright df barker 2012

Poem ‘Sea Wall’

The Wash, as seen looking west from Heacham, i...
The Wash, as seen looking west from Heacham, in Norfolk, just south of Hunstanton (Photo credit: Wikipedia)

Sea Wall

Stand and look from here,
you can see the earth’s curve,
a sea-levelled land
bereft of its mother.

Shells we have found
while the silt blew away,
powdered by droughts
and the pitiless wind.

Stand here with me
at the high spring tide—
you know the stark sea
will swell all over this again

poem © copyright df barker 2012

Poem ‘Ways Out’

Ways Out

During those darker days
while Dad dug the earth,
I would stand with him
and dream of the sky,
that it might send an angel
in a shining silver disk
to whisk me away
to some fantastic world,
as far away as possible
from that featureless place

Once my dreams were done
each mournful Sunday night,
that was when I’d watch him
sitting hunched before
his old bespoke radios,
yellow fingers twisting knobs
while turning his ear
to strange sideband sounds,
smirking to Southern drawl charm
engaging cool Transvaal

I knew it was his way out,
released and briefly lost
among the wild waves,
bringing some colour to his world
before I’d hear the clock wind up,
the curtains being drawn

poem and image © copyright df barker 2012

Poem ‘The Artist’

The Artist

Black paint on the front door
was peeling badly. Before knocking
I ran a crackling finger over it,
flakes falling into shade around my feet.
A small grey lady in garish pink
dressed for bed, squinted up at me,
something akin to Stravinsky
played in the darkness behind her.
“Take a pew!” – words betraying her age,
her station, a headmistress perhaps,
Arnold’s paintings in primaries all over low,
leaning walls in a room of gloom,
as if yellowed by years of smoke
and smelling of rose and age.
His preference for palette knife
and fingers were evident at once –
then a portrait, blue eyes staring at me,
almost violet, gorgeous like Liz Taylor
and hints of a grey uniform with pips.
Tea and scone arrived on Royal Albert
with shuffles of pink slipper.
“The portrait,” I pointed.
“Oh, that’s me, circa 1944,” she croaked,
standing bent. “But not his usual style.”
“No,” I had to agree, writing frantically,
excitement like sap
sent tingling up my spine.

So, let’s get this right:
She had trained in Ireland,
was deployed to France,
following allied troops into Germany
all the way to the end, in Berlin.
Hers an eccentric family of noble stock,
a quite irregular life lived on the edge.
Did I believe her? At first, yes.
At least until I closed the door
with that peeling paint.
Then I noticed the corner in the road,
breathed in the fresh air,
saw the rush of wind in poplars
and rooks cawing their honest presence.
The further I drove the less I believed.
Narrow roads led into town, a realisation
that still – the artist had eluded me

Poem and image © copyright df barker 2012