Astrology Bites: Vincent Van Gogh

person holding van gogh book beside sunflowers
Photo by wendel moretti on Pexels.com

We are inspired by many things. What makes someone pick up a guitar and try to play it? Why are some of us artistic and others not?

And what made an artist like Van Gogh paint with such compulsive passion and intensity?

A look at his birth chart may cast a little light on this.

Spiritual impulses

The part of his chart that particularly stands out for me is the 9th/10th house around his midheaven.

Here we have Venus conjunct Mars in Pisces, along with Neptune in the earlier part of the Fish.

We know he initially wanted to be a priest, and certainly, one interpretation of this aspect, close to the midheaven, could be that he was very much inclined to religious feelings and impulses and would want to use them outwardly, in a career.

Uniting with the numinous

In Pisces, though, it’s often difficult to know where these feelings come from, there’s a lot of subconscious, unfathomable energy here, a deep impulsive need to unite with the numinous, strongly and intensely.

So, in other words, the love principle is very deep here and emotionally supercharged by nearby Mars square to Jupiter.

But although he clearly had a strong spiritual impulse, it never quite seemed to suit or satisfy him being involved in a conventionally religious way, like training for the priesthood.

Expression in the world

The process of painting, using strong imagery and colours, however, eventually gave this deep intensity greater expression in the world.

Painting brought all of this out into the open in a most wondrous flowering of creativity over a relatively short period of time, bequeathing to us an incredible legacy.

His Sun and Mercury in Aries would only heighten this energy and impatience, giving him great verbosity (trine Jupiter) too, plus a tendency towards impatience and anger.

Wanderlust

Van Gogh was always likely to travel too. Cancer rising gave him an emotional, caring approach to life but his ruler, the Moon, is in far ranging Sagittarius and close to the Archer’s ruler Jupiter in his 6th house of work. And Jupiter also rules the sign on the midheaven, doubling up.

This in itself, is an indicator of travelling long distances for work, but also has religious and philosophical connotations, if not the deeper, more spiritual impulses.

Creative outpouring

Although born in Holland, he spent time in London and northern France, before settling in the south of France for those last, few, incredibly intense years of his short life, which produced, arguably, one of the most brilliant outpourings of artistic creativity ever.

It’s as if painting was the only medium which allowed him to express what he felt subconsciously.

However, in the end, even painting failed to keep him long in this world. I’m sure, however, that we are eternally grateful that he stayed long enough to leave us so many paintings to enjoy.

A fish out of water

He sought the eternal numinous in his short life but was never quite satisfied. Ironically, his struggle did achieve eternal fame for him posthumously. He only sold one painting while he was alive.

Looking at his chart as a whole, it is largely top heavy. Van Gogh poured out his soul to the world which could not sustain him.

He was very much a fish out of water.

Paintings: The Norfolk Coast, England

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Cley, North Norfolk

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Here is a ‘blast from the past’, some of my many oil paintings on the subject of Norfolk and its beaches. The one above is of the beach huts at Wells.

Below is an interpretation of the beach at Heacham, near King’s Lynn.

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copyright Leofwine Tanner 2019

Haiku: Elements

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Elemental shores.
Smiling, fight against the wind:
footprints washed away

copyright Leofwine Tanner 2019

 

*If you would like a personal astrology report, please contact me at: leoftanner@gmail.com for details.

Poem: At Cromer

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When I look down toward the beach,
the distant pier seems to stride
forward from the shining sea.
I like to look beyond,
to the bands of turquoise and blue,
an ocean painted in bold,
abandoned strokes.

Why are we drawn to the waves?
Those elemental rhythms,
sounds and colours
of a primary world,
where sparse pointillist spots
busy themselves on
yellow-ochre sands.

Some days the morning
unfolds through mists,
groynes spacing out
the distances along the strand,
until a final fade-out,
well before the sea
can meet the sky.

Overhead, pterodactyl shapes
patrol against fresh patches
of blue. As I approach,
the blurred semblances
of buildings appear, rectangles
feathered violet or grey,
as if stepping off the cliff.

copyright Leofwine Tanner 2019, 2011

Poem: The Painter

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Climbing the dune,
wind heavy in our faces.
We squint (or do we smile?),
our laughs and quips
diffuse in the air.

Young legs carry you
ahead to the summit,
where tufts of green cling
to an existence. Then you’re
a sudden lithe silhouette

against a racing sky.
I revel in your victory;
your gentle hand hauls me
up close to ocean eyes,
an elfin smile, teeth

pristine like breakers
on the distant, crashing
shore, that white noise
filling our ears.
To look into you

is to look as men
have done for centuries.
Unchanging heart,
you’re the pearl left
nestling in filth.

So take a look –
can anyone steal time?
An hour here or there,
we leave our footprints,
no foothold anywhere.

I am the painter of this shore –
you are the model.
Again and again,
we return to wrestle
in familiar hues;

deep alizarin crimson,
yellow ochre, phthalo blue,
making it real. Stay in this
moment, we bless and bless.
It has to be you.

copyright Leofwine Tanner 2019 and 2011