Trinity Church in Copley Square. Boston Well, I can tell you, with a little behind the scenes knowledge, that the only things missing from this view of Trinity Church are the four large wreaths that will hang from the columns of the church’s now brightly lit west porch and a life-size ice scene of the […]light in the dark — Words + Images
Should I pick something that’s a bright colour or where the sun’s bright or both? I’ve decided to join in with Debbie Smyth’s One Word Sunday challengeDebbie Smyth’s One Word Sunday challenge, largely because she sets them well in advance – always an advantage in my book. In addition, she’s a fantastic and inspirational […]One word Sunday: bright — View from the Back
I blunder into scams and swindles.
Look, I wouldn’t wish to demonise wolves
for merely following their instinct to survive;
and I shall be a sheep no more.
Let’s say it how it is and I will respond in kind,
without kind words and flattery.
Put simply, I asked you to do something,
so would you be so kind as to complete it?
Elena had taken herself off to the spare room, the very room where Michael had said she had sleep walked in to the previous night. One thirty and she still wasn’t asleep, she was simply too apprehensive, too much going on in her head. Once more she lay back and opened another book she’d borrowed from Mary. She came across a reference to the fact that most children were baptised within two or three days of birth, at least until more recent times. This was because of the much higher rates of child mortality. It made her think. With that thought in her mind, she lay the book down and closed her eyes.
The room was dark, quite small. Long curtains were closed, just a peep of light came through a gap. Outside there were distant voices, so she opened the curtain a touch to see. It was the canal or river she had seen before, though there was less activity this time, as if it might be evening. As she turned away, she noticed a mirror with an ornate frame on the right wall. Keeping the curtains open, she looked at it. Elena had the clearest blue eyes, a smooth, ivory complexion. She brought a hand to her face, touching the soft flesh.
“I am… quite beautiful,” she whispered.
She recognised the room, the bed in the corner where someone was lying. Walking up to the bed, she recognised him, though he made no move, as if he was asleep. She peered more closely; then he opened his eyes, slightly.
“Elena,” he croaked, weakly, “you have destroyed me.”
She stepped back as he reached out, trying to touch her. “What’s the matter with you? Is it something I’ve done?”
“Elena, you have destroyed me.”
She felt a sudden unease. “What have I done?”
He tried to smile, though it seemed to be difficult. There was pain written all over his face, emotional as well as physical discomfort.
“Just… tell me who you are.”
His hand fell limply by his side, a weak gaze remaining fixed on her where she stood.
Kneeling down she put a hand in front of his face. There was no breath. She checked the pulse on his wrist: nothing. His candle had burned out. Elena closed his eyes, reached forward and kissed his cheek. Then she sat on the chair next to the bed. Tears began to well up in her eyes, though she wasn’t sure why. Did she know this man? And if so, how?
“I want to come out of this dream now,” she said out loud, wiping her eyes. Yet she remained in the room, apparently present in some time which may have been four hundred years ago. She began to feel queasy, quite strange in fact. So she stood, but had to sit down again, feeling quite faint. She bent down on all fours and was sick into the empty chamber pot by the bed. There was no cloth or tissue to use, so she wiped her mouth on the bed sheet. Suddenly without the strength to get up, she lay on the floor, closing her eyes.
Elena felt the gentle stroking of her hair. Opening her eyes, Michael’s concerned face was examining her own.
“It was quite a shock to find you lying here.”
“Where am I?”
“The toilet, I see you’ve been sick. Something you ate last night, was it?”
“No,” she said, faintly, “I don’t think so. What time is it?”
“Six o’clock. Have you been like this before, recently?”
Elena thought for a few seconds. “A little yes. I thought it was the lack of sleep.”
Their eyes met, instinctively, though neither dare ask that most pertinent question. Michael helped her to her feet and led her back to bed.
“Get some sleep, I’ll take the day off, it won’t matter.”
“I’m not sure I want any sleep.”
“Hm, because of him? This strange kisser fellow?”
“Maybe,” she said, laying down her head, “though I get the feeling that I won’t be seeing much more of him in my dreams.”
“I like the sound of that. I’ll get you some water.”
copyright Milly Reynolds 2020
Elena Trimble was a young astrologer. It was an unusual career but she loved it. While studying psychology at university, she had done a brief course on the ancient art of astrology – and was hooked. She did individual birth charts, a kind of modern psychological astrology, you might say. She didn’t believe in the mumbo jumbo prediction aspect of it, that the future can be clearly seen.
“So what’s this about today’s date, then?” Michael was speaking around a rather large piece of toast he was chewing.
“I’m pretty sure it’s to do with the dream. Dreams can speak to us in symbols and allegory.”
Elena had written down everything she could remember. The dark place she had found herself with this man could have been a church, or perhaps a chapel. Dreams were ruled by the Moon and perhaps the planet Neptune, she figured, hence the allegories, signs and symbols. She was trying to get a clearer view, not only of whom this person was, but what he was trying to say. And why did he kiss her?
She sipped her morning cup of tea, looking out onto perfectly still day, the sunlit grass, the frost slowly dissipating. “Let’s say we were in the chancel end of a church. There was a window ahead of us, though it wasn’t letting in much light, like it was nearly dark outside. There was a book open.”
“A bible, perhaps?”
She shook her head. “It was more like some kind of…parish record?”
“Yes, very likely a register. I felt sure he was directing me toward this book, as if to an entry in it. I remember the number twenty three quite distinctly, you see. I didn’t see it in the book, it just popped into my head out of nowhere.”
“Hm. Maybe he whispered it into your ear after kissing you.”
“Funny, ha ha.”
Elena began to surmise that twenty three could have been either a christening, a birthdate, or a burial. The fact that today was February 23 might be meaningful. There didn’t seem to be much else to go on. There was his general appearance, she supposed, slightly taller than her five feet four inches. It was the eyes she remembered, large, chocolate brown and loving. She didn’t recall being at all scared by him.
“Elena, you need more to go on than just a number.” Michael was placing the breakfast dishes in the sink.
She joined him with her own dishes. “I know, that’s why I’m making sure I take my notebook and pen to bed again tonight.”
Michael looked at her, seriously. “You’re expecting him again, are you?”
“I don’t know, but I’d better be prepared, hadn’t I? I get the feeling he’s got more to say, that’s all. I’ve never had a dream of this clarity.”
Michael had that pretentious little boy lost look in his eyes. “So should I be worried?”
“Hm.” Elena took his hand and kissed it. “Worried? About a figure in my dreams, maybe only figment of my imagination?”
“Nevertheless,” he said, examining her hand, “he evidently makes a good impression.”
copyright Milly Reynolds 2020
He was a man of his time, born in India to British parents, into a culture which was to inspire his output: ‘The Jungle Book’ and ‘Kim’ being two of his more famous works.
The skies are empty
A weary world is waiting
Advent is complete
copyright Francis Barker 2019
This is an original oil painting of Heacham beach in west Norfolk, completed on stretched canvas, unframed. Size 51 x 41 cm.
copyright Francis Barker 2019
Here is a sample of one of my Personal Astrology Reports, now reduced to £25 until 2020.
If you would like one of these reports, either for yourself, a family member or a friend, contact me at email@example.com. I need the time, date and place of birth of the individual.
*Note: In a ‘live’ instance, this report will be sent out to the client in the form of a PDF via email, containing 1500+ words of analysis.
The name and birth data of ‘Ellen’ are protected.
Above is the birth chart drawing, based on older styles from the medieval and Renaissance periods. I do not include the ‘outer planets’, not because I think they are unimportant, but in the interests of simplicity. If the ‘outer planets’ are prominent by position or aspect, then they are included in the analysis:
Personal Astrological Analysis
At the time you were born the
Rising sign or ascendant was in Gemini
Sun was in Virgo
Moon was in Libra
Mercury was in Virgo
Venus was in Libra
Mars was in Virgo
Jupiter was in Scorpio
Saturn was in Taurus
Uranus was in Libra
Neptune was in Scorpio
Pluto was in Virgo
Astrology is based on the idea of what is seen above in the sky is reflected in our world below: as above, so below.
In astrology, the path of the Sun, called the ecliptic, is divided into twelve zones of 30 degrees, called signs. Twelve is a natural division.
The Signs – what are they?
The signs of the zodiac and their qualities in order are:
Aries, the Ram. Cardinal Fire. Ruler Mars
Taurus, the Bull. Fixed Earth. Ruler Venus
Gemini, the Twins. Mutable Air. Ruler Mercury
Cancer, the Crab. Cardinal Water. Ruler the Moon
Leo, the Lion. Fixed Fire. Ruler the Sun
Virgo, the Virgin. Mutable Earth. Ruler Mercury
Libra, the Balance. Cardinal Air. Ruler Venus
Scorpio, the Scorpion. Fixed Water. Ruler Mars
Sagittarius, the Archer. Mutable Fire. Ruler Jupiter
Capricorn, the Goat. Cardinal Earth. Ruler Saturn
Aquarius, the Water Bearer. Fixed Air. Ruler Saturn
Pisces, the Fishes. Mutable Water. Ruler Jupiter
What are the Houses for?
In astrology there are also the houses. These are based on the signs, the same qualities projected out into the environment of the individual.
For instance, Aries, the first sign is fiery, enterprising. The corresponding house is the first house, which reveals how the individual projects him or herself out into the world, depending on the sign and planets (if any) contained in it.
First house: Appearance, personality
Second house: Finance, security
Third house: Communication, neighbours, siblings
Fourth house: Home, family
Fifth house: Creativity, children
Sixth house: Work, efficiency, health
Seventh house: Relationships
Eight house: Partner’s finance, inheritance
Ninth house: Long distance communication, philosophy
Tenth house: Career, status
Eleventh house: Friendship, association, groups
Twelfth house: Inner life, psychology
According to the data given me, the mutable air sign of Gemini was rising on the eastern horizon when you were born.
The ascendant marks the beginning of the houses, the everyday equivalents of the zodiacal signs.
The ascendant or rising sign is a pointer to our approach to life, what we project more obviously in to the world. It may have something to do with our physical appearance too. We must always bear in mind, however, the positions of the Sun and Moon as well. It is this blend of Sun, Moon, Ascendant, plus any other strong features in the chart which will represent your character.
Ellen, when you were born the mutable air sign of Gemini was rising, your ascendant.
This indicates that you have a versatile, sociable, communicative approach to life. You probably like to keep busy, to have a variety of tasks to perform, as well as plenty of places and people to visit and chat with in and around your community.
Your ruling planet is Mercury, ruler of Gemini. When you were born it was found in Virgo, strongly in connection to (conjunct) Pluto in your fourth house of home and family matters.
I think this augments your Geminian character somewhat, giving you a greater need for efficiency and practicality, essentially bringing down to earth your innate need to do things. You like to busy in functional ways.
You probably don’t like to waste time, not only fill your day with activity, but you like to apportion your time to get the most out of it. You might make lots of lists, or be an avid collector of certain items, like stamps, for instance.
Grasp of Detail
You are likely to have a very good grasp of detail, too, perhaps especially relating to home or family concerns. You should also have very good concentration, taking away any tendency for you to dissipate your energy.
If you were to partake in any activity, like research, for instance, you would be able to give it 100%. You are, despite outward appearances perhaps, a very concentrated person mentally, able to break down ideas and things into their minutest parts and put them back together. And you are likely to insist on a very tidy, well organised home to match the qualities of your mind.
If we now move to your sun sign, Virgo, this of course is the one factor you are already aware of. The combination of your Gemini ascendant and Sun in Virgo (both ruled by Mercury) only increases your potential for communication at practical levels.
You probably have a strong interest in being efficient and so therefore health is absolutely key for you. You probably watch your diet closely and have a fitness regime you stick to. Work too is paramount to your well being – you appear to have a strong need to be busy.
Your Mars is also in Virgo and this will only increase the energy you put into practical detail, perhaps most particularly in the home.
However, just bear in mind that you do need to rest periodically. Your nerves, perhaps more than most people’s, could have a tendency to get fraught because of the demands you may put on yourself. It might be tendency of yours at times to feel overwhelmed with the amount of work and tasks you set out to do.
We now come to the Moon, the third most important factor in your make up.
Your Moon was in Libra when you were born, in the 5th house of creativity and children.
I think this will blend very well with above mentioned factors of your chart. Moon in Libra will add an instinctive charm to your personality, some very personable qualities. You should be quite pleasant to meet, because you like balance emotionally and in the home.
In other words, despite your busy, efficient, work oriented character, you will nevertheless be pleasant to meet socially, in creative activities and with your children.
Venus in Libra also in your fifth house further indicates your love of creative pursuits and possessions, such as art, clothes, music, just beautiful things, which you probably love to share with others and your children.
So when it comes to your career, we have to bear in mind all the above said potential. We spoke your liking to communicate, both mentally and physically, to be busy, versatile, practical, to have variety in your life and work but not waste your time doing it.
The emphasis on communication could have led you in to many types of career.
You might have good linguistic skills too; maybe you can speak one or more foreign languages well – you seem to have the potential for that. This would obviously have opened the door to several careers, from teaching, local government, to diplomatic arenas.
Then there’s the everyday variety and flexibility of something like being a shopkeeper, to delivering goods (where every day will be different), and to being a journalist, out and about covering a wide variety of local, perhaps national stories.
As you have a grasp of detail, plus good concentration, research and investigative work might be particularly suitable for you. This brings to mind investigative journalism and police or legal work.
Behind the Scenes
To add to this, you may also prefer to work busily behind the scenes, in a practical role, that might in some senses resemble a home.
This brings to mind larger institutions, where you will have scope for practical, detailed, concentrative work, which you would excel at – hospitals, or charities for instance. Your pleasant manner of response (Moon in Libra) will help you in these areas too.
The latter is important for you, I think. You may realise you need to develop a career to take you ‘out of yourself’ so to speak, even if it is largely behind the scenes work, away from too much involvement in home and family life, where it is so ‘natural’ for you to function.
In many ways the latter would tend to bring together all the different strands of your character, potentially leading the way to greater self fulfilment.
This brings to an end the general analysis of your birth chart. If you would like more details, or perhaps an in depth discussion about your chart, please don’t hesitate contact me.
Many thanks and kind regards
Leofwine Tanner 2017
Probably my favourite all time prog rock album, ‘Close to the Edge’ (Elektra/Rhino CD) by Yes.
I was quite young when this came out in 1972 and didn’t actually hear it until later in the following year, when my elder brother brought it home. I think I had heard ‘Fragile’ by then too, the band’s 1971 release, which kicked off with ‘Roundabout’, one of Yes’ more ‘accessible’ numbers for a young boy. Nevertheless, I remember being pretty impressed by the whole album.
However, when my brother put ‘Close to the Edge’ on our family hi-fi, at first I wasn’t sure what to make of it. The slow start of planetary, naturalistic sound, the incredible weaving together of all the different movements of side one, took some time for me to appreciate, but now it’s like one epic poem, a vast spiritual movement of sound that is hard to describe, in words. It just has to be experienced, let it take you somewhere.
I still particularly like the ‘I Get Up I Get Down’ section, so beautiful, bringing together all the singing talents of the band, not just Jon Anderson, but also Steve Howe and Chris Squire.
Which leads me to a major point. Has there ever been a better example of five incredible talents working together, at the top of their game, producing such a masterpiece? I would doubt it.
Jon Anderson’s unique voice and inspirational lyricism; Bill Bruford’s peerless percussion; Steve Howe’s sheer virtuosity on six and twelve strings; Chris Squire’s uniquely lyrical bass and underrated singing; Rick Wakeman’s pure genius and dexterous flair.
It would prove to be a small window, sadly. Very soon, Bill Bruford would be on his way, followed soon after by Rick Wakeman. But what a beautiful, ornately made window it was. It was of its time.
Side Two for me is equally impressive. I can still quite easily listen to ‘And You And I’ on repeat. I love the start, with Steve Howe hitting the harmonics on his twelve string, the way Rick’s synth plays over the top is so joyful, full of life. And like all Yes tracks, it’s difficult to envisage how they all put this together, so differing are the elements, but they come to together beautifully, woven by lyrics which are both hard to fathom, yet totally fitting – a Yes trademark.
And the final track, ‘Siberian Khatru’. Heaven knows what it’s about but if I had just one track to take to my desert island, I think it would be this.
Great, catchy guitar riffs to start off and great rock playing by the whole band, but soon the wonderful group singing harmonies come in to play, adding a great atmospheric and naturalistic feel.
Then all the virtuosity of the band kicks in – indescribable. Especially, towards the end when they sing pairs of mysterious words with lots of reverb, which may, or may not, be related… but it works, it means something, though I don’t know what it is. And did I mention Steve Howe’s jazzy guitar on the outro?
Just how it should be, long reign the mystery.
copyright Leofwine Tanner 2019