‘Koh-I-Noor – The History of the World’s Most Infamous Diamond’ (Bloomsbury) Book Review

Koh-I-Noor: The History of the World’s Most Infamous Diamond by William Dalrymple

My rating: 4 of 5 stars


Firstly it’s interesting and perhaps partly synchronistic that I have completed this book a few months shy of the first British coronation for seventy years and the imminent installation of the first British Asian PM of the United Kingdom (October 2022).
I have always found Dalrymple’s style captivating, somehow he draws you in, making you feel a part of the narrative. Whilst this book is co authored along with Anita Anand, I do not find it upto William’s usual brilliance – but even below par, it is still a great read.
I certainly had no idea that the Mughals preferred rubies to diamonds but I understand their sensibilities. And whilst the actual history of the Koh-i-Noor is not proven prior to 1739, one does suspect that it was probably one of those previously described jewels from the earlier Mughal empire.
I did find that Anand’s section was a little less interesting, yet still perfectly readable. There is a sense (conveyed to me at least) that the Mughal/Persian invasions of the subcontinent, although equally as brutal as the British and the Company’s conquests, are somehow more ‘acceptable’ because of their greater artistic and even poetic prowess. I suppose it’s broadly similar to many historians forgiving the Normans for their brutal subjection of England from 1066, with the Harrying of the North etc, purely because they built such incredible cathedrals and brought strong government. That said, I would concede that the British rule of India was far from being a simple case of a superior culture forcing itself on to an inferior one; in many ways Indian culture was more advanced than that of the so called West.
However, this aside, I do think this book adds another important element in the understanding of Anglo Indian relations and the history of the merging of these two and more cultures.

Copyright Francis 2022



View all my reviews

The man who printed the world of plants — The Renaissance Mathematicus (Reblog)

Abraham Ortelius (1527–1598) is justifiably famous for having produced the world’s first modern atlas, that is a bound, printed, uniform collection of maps, his Theatrum Orbis Terrarum. Ortelius was a wealthy businessman and paid for the publication of his Theatrum out of his own pocket, but he was not a printer and had to employ […]

The man who printed the world of plants — The Renaissance Mathematicus

Rembrandt Harmenszoon van Rijn [1606 – 1669] — Marina Kanavaki

Dutch draughtsman, painter, and printmaker Rembrandt Harmenszoon van Rijn was born, July 15, 1606 in Leiden, in the Dutch Republic [now the Netherlands]. ❦ An innovative and prolific master in drawings, prints [etchings] and paintings, he is considered one of the greatest visual artists in the history of art and the most important in Dutch […]

via Rembrandt Harmenszoon van Rijn [1606 – 1669] — Marina Kanavaki

The Matthew Flinders Connection: May Church Flower Festivals in South Lincolnshire, England

PHOTO-2019-05-10-08-36-28

There used to be an event, commencing in the late 1950s, famously called ‘The Spalding Tulip Parade’ in south Lincolnshire, England.

Every year much time and money was spent on creating a series of floats decorated with tulips to parade around the small Lincolnshire town, sponsored by local and national businesses. Tourists flocked there every year from many parts of the country and beyond.

Sadly those days have long gone now. However a ‘vestige’ of this former glory still remains in the numerous church flower festivals which still take place in early May.

I was particularly impressed this year by Donington’s flower festival. The explorer and cartographer who essentially mapped Australia, Matthew Flinders, was born in Donington in 1774. Recently his remains were discovered and there is a move to bring them back to Donington – you could almost feel the air of anticipation at this prospect.

Strong Links

Today many strong links remain with Australia; there are numerous visits from ‘down under’ too, both sides very keen to keep up and improve the cultural associations.

Let’s hope his remains return home soon and that a tasteful setting is created for the memory and legacy of the great Matthew Flinders of Donington, Lincolnshire.

Toussaint_Antoine_DE_CHAZAL_DE_Chamerel_-_Portrait_of_Captain_Matthew_Flinders,_RN,_1774-1814_-_Google_Art_Project (1)
By Toussaint Antoine DE CHAZAL DE CHAMEREL (1770 – 1822) (Mauritius)Details of artist on Google Art Project – XQFjQ8PX1C_hwA at Google Cultural Institute maximum zoom level, Public Domain, https://commons.wikimedia.org/w/index.php?curid=23601763

Poem ‘Weapon Take’

Weapon Take

No rusty blade
ever turns up here,
no shadow of a ship
or bejewelled belt;

no iconic helm
to add credence
to our wounded identity.
Not even signs

of a mystery hillock
rising in hugging mists
to excite or intrigue
those metal detector men.

Merely one vast industrial
scar, scoured of feature,
almost of life, tamed,
or destroyed,

depending on your view,
turned inside out
by Angevin priors
and inscrutable Dutchmen.

I come from a long
line of diggers
and dark-eyed women,
grown out of this morass,

hardened to sweat
and pitiless Ural winds.
People who made-do,
though never in

any doubt they
were the subjected
men of their Hundred,
the brave new Wapentake,

where the councillors
still speak in a
double-Dutch behind
tall, timbered walls.

poem and image © copyright dfbarker 2012
*poem first published in collection ‘Anonymous Lines’, available at amazon.

** Wapentake was the Danish word for the English Hundred (a small, political unit, originally meaning a hundred homes). This word is still used in the ‘Danelaw’ counties of eastern England.