300-Year-Old Farmhouse | Germany — Edge of Humanity Magazine

Photographer Robert Mertl is the Edge of Humanity Magazine contributor of these images. From the ‘An Old Farmhouse’ series. To see Robert’s body of work, click on any photograph. Schwarzer House, Grassemann, Germany. Built in 1698. All images © Robert Mertl […]

via 300-Year-Old Farmhouse | Germany — Edge of Humanity Magazine


Johannes Brahms born this day 1833 – What do the ‘stars’ say?

JohannesBrahms.jpg (371×480)


With Tchaikovsky also born on this day in 1840, this middle period of Taurus is evidently fertile ground for great musicians and composers.

Born in Hamburg in northern Germany, many aspects of his life and personality are reflected in his birth chart. He is said to have been both an innovator and a traditionalist. I believe we can see the latter in his Sun in Taurus, which though artistic (ruled by Venus), favours the more conventional elements of art and music. His Capricorn Midheaven and Saturn in Virgo, trine his Sun in Taurus in the 6th house, strongly hints at a highly structured, methodical approach to work and career. The latter too probably accounts for his meticulousness and perfectionism which are often referred to. He famously destroyed some of his work, or at least left it unpublished.

However, where might his so called innovative and romantic side stem from? Well, he has Aries rising, which likes to plough new furrows and which traditionally means the ruler of the chart is Mars, which finds itself in emotional, romantic Cancer – which also, incidentally, is conjunct the north node of the Moon in the 4th house: I think he clearly followed the path he was supposed to take.

Even more though, he has a tight Mercury Jupiter conjunction in Aries conjunct the ascendant, sextile Uranus in Aquarius and trine a wide ranging Moon in Sagittarius. Here is the precocious, talented child, a bundle of creative energy and, probably, a very ‘difficult’ child too. Here is great manual dexterity, innovation, flare and sheer raw talent rolled into one. Some might call it genius. Venus in Gemini trine Neptune also evokes an easy romanticism and someone truly inspired at times.

So little wonder then that Johannes Brahms is considered one of the all time greats, to rank alongside Beethoven and Bach.

source: http://www.astro.com

Poem: A Walk by the Sea

a walk by the sea

Without too much thought I took
to the beach,
followed the white lines of
leading me due north along that
fractured shore.

in no time at all the beach huts were
behind me,
removed by dunes and blurring
summer haze.

then suddenly
she was there
right in front of me, as if she’d
right out of the ether.

she was squatting down,
blonde haired and
quite young,
her blue-green dress hitched up a touch
showing small bare feet
half buried,
where the dry white sand
gave way to shingle.

I stopped
said hi
but she didn’t even look!
staring into that wide expanse
she could see
clear across the ocean.

looking down I admired her
gold-embroidered dress,
the delicate amber jewellery on
slim fingers,
her long hair matted by
the keen breeze.

then she looked up,
her eyes like cyan gems
and pointed to herself–
‘Elfhild’ I thought she said
sounding sort of German
or Dutch or maybe something
in between
but I didn’t speak a word.

not then.

she didn’t seem lost or in any distress
so I moved on,
giving her a faint wave,
after all, what business was it
of mine?
I carried on steadily
maybe half a mile or so,
felt the wind move round
south to south east.
I could’ve done with a jumper so I
turned back,
got up quite a pace in the end.
frankly I wanted to return
to see if she was alright –
but I saw only footprints
where she had been, where the shingle
gave way to sand.

walking to the shoreline something
caught my eye, a piece of amber
wet and shining.
I picked it up, held it
to the light
and smiled, looking out
to where the waves
were rolling in by the edge of
that German sea

poem and image © copyright Dave Barker 2012

Poem: ‘München 1980s’

Toit stade Munich

Toit stade Munich (Photo credit: Wikipedia)

Munich was the revelation, a summer
day and sultry night spent on streets
full of girls.
Americans from Boston, all eyes,
all teeth and smiles, never knowing
the word ‘retreat’. But they froze
in the face of my voice, my accent
(and so what is that all about?). Not a word
to comprehend, though one
would understand my kiss.

Then we rose in circles of museums,
BMWs going back in time— looking
further out toward Alps, first glimpses of
Olympic legacies, where Bayern now
played in their blazing red. More
a work of art than a stadium; like
the girl at the counter, almost beyond
beauty, leaving me speechless
and sadly gawping. “What is this?”
I asked myself. “What are you
doing to me, this feeling?”

So typical of me, my mind going off
in tangents, to eastern philosophies
of afterlives and rebirth. Patience
has made her beautiful, patience
in forgotten pasts, risen up
into this image which attracts
without trying, like a baby or a kitten,
yet so deep, more profound.

I found myself smiling into
cobalt eyes, stuttering my worst
German words. And all the poor girl did
was blush

poem © copyright David F. Barker 2012
* inspired by a trip to Munich way back when
and Claudia’s fine prompt for dVerse.


Some favourite music for a hot sultry night…

Poem ‘The Artist’

The Artist

Black paint on the front door
was peeling badly. Before knocking
I ran a crackling finger over it,
flakes falling into shade around my feet.
A small grey lady in garish pink
dressed for bed, squinted up at me,
something akin to Stravinsky
played in the darkness behind her.
“Take a pew!” – words betraying her age,
her station, a headmistress perhaps,
Arnold’s paintings in primaries all over low,
leaning walls in a room of gloom,
as if yellowed by years of smoke
and smelling of rose and age.
His preference for palette knife
and fingers were evident at once –
then a portrait, blue eyes staring at me,
almost violet, gorgeous like Liz Taylor
and hints of a grey uniform with pips.
Tea and scone arrived on Royal Albert
with shuffles of pink slipper.
“The portrait,” I pointed.
“Oh, that’s me, circa 1944,” she croaked,
standing bent. “But not his usual style.”
“No,” I had to agree, writing frantically,
excitement like sap
sent tingling up my spine.

So, let’s get this right:
She had trained in Ireland,
was deployed to France,
following allied troops into Germany
all the way to the end, in Berlin.
Hers an eccentric family of noble stock,
a quite irregular life lived on the edge.
Did I believe her? At first, yes.
At least until I closed the door
with that peeling paint.
Then I noticed the corner in the road,
breathed in the fresh air,
saw the rush of wind in poplars
and rooks cawing their honest presence.
The further I drove the less I believed.
Narrow roads led into town, a realisation
that still – the artist had eluded me

Poem and image © copyright df barker 2012

Short Story ‘The Doll’ Part One

Sketch map showing the situation of the Battle...

Image via Wikipedia

*The characters portrayed in this story are not based upon anyone living or dead, they are wholly imaginary.


The twentieth century was only a few months old but Captain Robert Charlesworth had already seen enough of it. Like most of those aboard ship, he was glad to see green Blighty once more.
The hill of Spion Kop had deprived him of several friends, a cousin and the forefinger and second finger of his right hand. His days firing the much vaunted Lee Enfield Rifle were truly over. Perhaps he could learn to shoot left-handed. He had also suffered a much more substantial, though less obvious wound in the same incident, leaving a rather nasty hole where his right nipple used to be. He had known, barring infection in the extreme heat, that he would come through it. Nevertheless, every time he looked at the short stub of his forefinger and the wholly vacant second, he cursed the way his hand had got in the way of that piece of shrapnel, even though more than one doctor had stated that those two fingers may have saved his life.
Only minutes before, his friend Lieutenant Hawtrey, had bought it right next to him, pieces of his friend’s head spattering him and his comrades as they fell to the ground on the pitted slope. Try as he might, he could not get rid of that image in his mind, lying on the scorched, bone-dry earth, Hawtrey, his head with a grievous wound, a head that he had heard shouting behind him only seconds earlier. He had heard of such things, assuming such tales had gathered goriness in the repeated telling. But nothing in his training or experience had prepared him for such utter confusion, such heat, such unimaginable horror.
And like most of the men, he’d had nightmares ever since.
“Paddy! Watch out!!” A foot to the left or to the right and he and Lieutenant Hawtrey might still be sharing a joke together. A foot to the left or to the right – and the shrapnel might well have taken him out instead of Hawtrey. As it stood, it was fortunate that more of them hadn’t been ripped to shreds along with Hawtrey in that same instant. Shrapnel had a way of doing that.
Whatever might have been, the resulting nightmare was the same every time, his friend staggering about without a head, arms out for balance, belligerent Boer bullets tearing into his chest, but failing to bring him down. Each time he awoke, disturbed and sweating, it was as if Hawtrey was unable to rest, just like all those who had been there. His diary entry for January 24 1900, written several days later with an awkward scrawl of his left hand, repeated the same sentence, over and over: “Lieutenant Patrick James Hawtrey, Lancashire Fusiliers, age 22. MAY YOU REST IN PEACE. May I find peace, too.”
There was to be no peace for Captain Robert Charlesworth, at least not that spring. A telegram awaited him ashore: “Wife gravely ill. Fever. Come urgently…”


The whistles had gone. Doors slammed shut. He felt the carriage shudder gently forward, almost mournfully slow. Liverpool Street Station passed before him; the madness that was London. They called in ‘The Smoke’, and with good reason. He felt strangely removed from those men in the engine way ahead, fitfully working in the noise, the steam and the sweat.
He pulled out his wife’s last letter from his pocket as the carriage emerged into the sunlight. She had always known that he would return home safely, despite the injuries he had described to her. He had apologised to her for not writing in his own hand. Captain Inglis had kindly acted as secretary. She had said previously that at least the ring finger of his left hand was still intact, the finger onto which she had pushed his wedding band two years ago. The Boers could not destroy that. She believed in destiny, she knew they would be married on the first day they met. The vicarage tea party, the beautiful garden, that wonderful summer’s day in the Queen’s Diamond Jubilee year.
In those days the English, or their ruling elite, were at their apogee. The Queen would seemingly reign forever, the empire would expand to cover the entire globe, removing the need for any other colour than pink in school atlases. A Pax Anglicana – that could never be. How much longer could the queen live? Now, the whole world seemed to have changed. Germany and America, growing in industrial and military strength for several decades, were beginning to snap at the bulldog’s heels.
The England he had left behind at the end of the last century was no more; the government had fallen, the battle for the hill of Spion Kop in the searing South African summer, during the first month of the new century had seen to that, a hill that would have been insignificant, irrelevant among the Pennine hills from where sprung his wife’s family, the Reveleys. Mary was made of strong stuff. The Reveley’s were Yorkshire grit! Their line reached back to beyond the Conquest, hardened by the northern climate. She might live in East Anglia now but you couldn’t wipe out the strength of generations. She would pull through.
But maybe this was wishful thinking. In reality, Mary had not inherited the strong Reveley strain at all. She had always been weak, hyper-sensitive, hopelessly romantic. It seemed the same physical susceptibilities which led her to catching every illness going, also cajoled her to join every good liberal cause.
Her mother had introduced her into the temperance movement. Mary was often out and about with her ladies helping the local working class, particularly trying to help them to stop drinking. Most especially, she was keen to stop young men from starting to rely on the demon drink. She believed in prevention rather than cure.
Mary was also an active member of the Liberal Party, much to the annoyance of Robert’s father who was a fervent Tory.
“The girl’s weak in the mind as well as the body,” he once told Robert while he was writing a sermon in his study. “I simply find it disturbing that she and her mother spend so much time helping the undeserving. What is more, she also advocates the policies of the Liberal Party, which are, in my opinion, threatening the very fabric of this country, those strong, steadfast values which have forged the empire.”
Robert knew better than to argue with his father. He said nothing, staring coldly out of the window of the study which overlooked the garden. The words did not injure him inside anymore. He often wondered what benefit a lifetime of faith had given his father’s cold heart.
Outside of the carriage it was starting to rain. Occasional wafts of smoke flew by and beyond, the rolling landscape was showing signs of turning green.
Robert realised from the beginning that he had been attracted to Mary purely because she was so different to anyone else he had known. He was spellbound by her flaxen-haired fragility, those deep blue eyes and full lips, so unlike the thin-lipped primness of his own mother. Mary, he assumed, had been drawn to his sheer physical presence, the dark moustache, his fierce, yet kindly hazel eyes and that emphatic red lieutenant’s tunic which he wore on that first meeting, in the bright sunlight not so long ago. Everyone said they looked good together – everyone, that is, except his mother and father.
“Robert, my dear, she is too weak to bear children, of that I am quite sure,” his mother told him quietly the day their engagement was announced.
“Forgive me, mother,” he said, trying to channel his anger, “but if there is any reason why you disapprove of our engagement, I do so wish that you would be more forthcoming.”
There was no argument. The Charlesworths never argued. His mother never mentioned the subject again. The criticism all came from his cloth-wearing father.
They had been married nearly two years ago and Mary had still not conceived. Robert had been away for most of that time. He calculated that they had spent roughly nine of those twenty three months together. Mary had busied herself in her temperance and political activities. Robert wondered how his parents had tolerated her presence under the same roof when he was away. They were patient and Mary was saintly. Despite their barely concealed distaste for her activities, which included playing the cello, they acknowledged her aristocratic pedigree, a pedigree which far outstripped anything in the Charlesworth family. Perhaps, he wondered, this was the source of his father’s venom. How could someone of such a lineage possess a bleeding heart? Surely it should be stone-cold, like his? Her family represented the very background of England, like the Pennines, where they had lived for centuries.
At first Robert had been alone in the carriage, for which he was glad. Then what looked like a young family entered at one stop; father, mother and a young son about four years old, he assumed, all well-turned out, clearly upper middle class which was his own station in life. Within a minute or two he detected the young boy’s incessant stare from the corner of his eye. He ignored it to begin with, assuming the boy hadn’t seen too many soldiers in uniform. Robert could have worn civilian clothes but he insisted on his uniform. He wanted to wear it with pride.
Then it occurred to him that the true nature of the boy’s inquisitiveness was nothing to do with the uniform. He looked down and saw that all the time his right hand had been exposed in all its ugliness. He glared back at the boy who sniffed, laying his head on his mother’s arm as she read The Times.
“Arthur, no!” she snapped, forcing him upright. “Your mother wouldn’t want you slouching.” The boy coughed in acceptance, looking up at the luggage rack opposite. Charlesworth had only been away nine months but already he couldn’t recognise a nanny when he saw one. Appearances were truly deceiving.

Outside the station, the gaunt Ridgeley was formally waiting for him. The middle-aged man removed his hat and greeted him dutifully, saying nothing more. The door of the carriage swung open. Robert climbed in, feeling a twinge in his right side as he sat down. A small price to pay, he thought. At least he wasn’t dead, like Hawtrey. The railway station was about a three minute carriage ride from the vicarage.
His father, uncharacteristically, was waiting by the open front door wringing his hands. Robert removed his cap, extending his left hand. His father took it, firmly.
“Robert,” said his father, with a firm nod of his head, “I am afraid that Mary’s been taken already.”
He looked into his father’s eyes. “I see.”
An hour later, Robert was sitting in their bedroom where, he was told, she had lain for a time. He heard the front door shut. He peered down from above. It was Ridgeley, suitcase in hand. He had been summarily dismissed for failing to get the final telegram to Southampton on time. Robert thought this was harsh. He had a feeling she had gone, that there was nothing more he could do. Providence, if it could be called that, had seen to it.
The room had been left as it was, except for the linen which had been washed. There were no letters, no messages. She had been too ill. Lying on the bed was the old parian doll which she had been so fond of, a keepsake from her childhood. The doll was another item which aroused his father’s disdain on account of it being made in Germany.
“Mark my words,” he’d said, seeing it for the first time, “very soon we will all be violently anti-German. They are simply too full of themselves. And they make too many things.”
Robert, on the other hand, was rather fond of it. He picked it up and stroked the face. It was unglazed, a pleasing, if unusual texture for porcelain. Some people called it bisque. The face, though child-like, was not unlike Mary. The blond curls, white skin, with a ready blush and the blue, blue eyes. The dress was a rusty brown, in a style not seen worn by ladies since the 1880s. He would keep it, hidden from his father’s gaze.
“The funeral,” his father said later, fork dangling a fatty piece of ham, “will be at St. Paul’s, next Thursday. Eleven o’clock.”
He recognised his father’s attempt at a question, which always sounded like a plain statement. Robert looked at his mother who had barely eaten anything. “Yes. Of course,” Robert said finally. “That would be fine. Thank you, Father.” He was struggling to cut the meat with only one good hand. He refused any help. “And I meant to say, Father…”
“Yes? What is it?”
“Mr and Mrs Reveley. Are they…”
“A letter came this morning. They are grateful to us and ‘thank God that her final hours were so peaceful’. They are arriving on Wednesday morning.”
Robert wiped his mouth with a serviette. “Yes, thank you, Father.”
All was in order, fully organised. The slow ticking of the grandfather clock punctuated the grey silence.
His mother gave a gentle cough. “Robert, you really ought to make and effort – to see her.” His father nodded but remained silent, too interested in clearing his plate.
“I appreciate your concern, Mother.”
He would not see her, not like that. He had seen enough death this year to last him a lifetime. It was bad enough to have that image of Hawtrey ingrained in his mind. Try as he might he struggled to recall those few short years of friendship, the drinking, the jokes, the scrapes. They were like images from a different lifetime. No, Mary would remain unblemished in his mind forever. The doll would remind him of her.

German Alt Beck & Gottschalck parian doll with...

Image via Wikipedia


© copyright df barker 2012