Favourite Album Reviews: ‘Aja’ by Steely Dan (Part 2, Side 2)

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The continuing story of what I consider to be one of the greatest albums ever, Steely Dan’s ‘Aja’ (MCA) from 1977. If you haven’t seen part 1, check in my blog first.

If side 1 was a tour de force, then side 2 continues slightly differently, with four songs which are in their own way, equally impressive.

‘Peg’ gets going with a much lighter disco feel, compared to side one. It’s fairly typical of the time but done in Steely Dan’s own inimitable way, with attention to detail. It turns out the guitar solo which made it onto the album took some time to finalise, with numerous guitarists auditioning for the ‘role’. Listening to it, I think they made the right choice. This is probably the most ‘commercial’ track on the album.

Classical References

With Track 2, ‘Home At Last’, we’re suddenly, though not surprisingly, in the realms of Homer (the ancient Greek writer, not the cartoon character) and Ulysses (Odysseus), with references to danger on the rocks and being tied to a mast over a bluesy jive that gets your foot a-tapping nicely. Once again the instrumentation, particularly the use of brass, I feel, is second to none. Very much of its time, almost ‘Starsky and Hutch’ in feel.

‘I Got The News’, the second to last track is an ‘angular’ sounding disco number, with those enigmatic, yet fitting lyrics full of innuendo and direct references which are so much a feature of the Dan’s music. There’s a great guitar break too, which belies the track’s disco setting, a feature first perfected I think on their previous album, ‘The Royal Scam’. It’s like they’re letting you know how sophisticated they are – and why not?

Hell Raiser

And so to the last, and certainly not least track on this classic album. ‘Josie’ is one of Steely Dan’s most celebrated songs, a fine R&B number, about a girl the guys simply can’t do without, it would seem, a bit of a hell raiser by the sound of it, who evidently could’ve been present when Nero set fire to Rome in AD 64. This has all the feel of LA and sophistication, the place Becker and Fagen made their home for some time.

Once again though, it’s the jazz inspired elements, like the rather haunting, minimalistic guitar riff/section sandwiching the main part of the track, which sets it apart from what anyone else was doing before or since.

‘Aja’ will always be a classic. Was it the peak of their success? Most definitely, which doesn’t mean you shouldn’t listen to ‘Gaucho’, or ‘Two Against Nature’, nor indeed the older back catalogue. It’s just that if I was to recommend one album of this band, it would have to be ‘Aja’. It gets an A+++.

copyright Leofwine Tanner 2019

 

 

Poem: ‘English Blue’ (for the fallen at Hastings and beyond)

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Walk with me
into the grey breaking dawn

where that sticking ridge of blue –
an English blue

rolls on into soft distances
and strange dancing names

Stand with me
by those set whispering stones

in a steadfast line –
a sore English line

of rasping pipes and howling socks
mouthing our memory

like a warning to tomorrow
a land forlorn to all but itself

Then help me to bury him
not on some crying strand –

in firm English land
where hallows’ calls are grounded

our grief laid open
in the whitening bones of heroes

on this high scoured hill

 

copyright Leofwine Tanner 2019, 2011

first published in ‘Poetry 24’ June 23 2011

Do We Ever Know Our Parents?

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My father has been dead a long time now, but I’ve never stopped missing him.

I was brought up in an agricultural community of intensive farming, but with just enough ‘real nature’ around us to appreciate the clean air (usually), the silence, the freedom. I virtually grew up on a bike and cars were relatively rare down our road.

Through all that time my father seemed to be in the background, always there, but quiet, shy. He’d had various jobs before retirement, a butcher, farm labourer mainly, but he was an intelligent man of few words.

And I feel I never really knew or understood him.

I wish I’d asked more questions, about his early life, his family. But we never know or ask enough, do we? We take it for granted that our family are there. For us.

Then one day, one of them is not. It’s too late. Yes, of course, I’m stating the obvious, but most often we ignore the obvious all around us, don’t we?

My abiding memory is of my father on his piece land at the back of our house, digging, simply digging the rich soil, surrounded by the vast fertile fields and eyed by hungry, inquisitive birds.

Thanks Dad.

copyright Leofwine Tanner 2019

 

Haiku: Where are the Swifts?

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The swifts are late this
year, the streaking sky forlorn;
signs to watch out for

 

copyright Leofwine Tanner 2019

Spalding’s Unique Ayscoughfee Hall

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Ayscoughfee Hall in Spalding Lincolnshire is simply an architectural gem.

However, I don’t believe it’s known for sure how it got its name (it’s pronounced ‘Ascoffey’ folks).

Nevertheless, recent archaeology has discovered much that was once hidden; stairs, passageways, tiles… all of which are included in the comprehensive museum illustrating the history, not only of Spalding, but of the whole South Holland region and its wonderful agricultural heritage.

Leofwine Tanner 2019