Poem ‘Fugitive’

fugitive

for so long you said nothing,
you let it all well-up inside.
It swelled like some geyser beneath you,
or some vast unstoppable tide

but clearly the choice was yours;
to sit quietly and safe in silence,
or face the dangers of disclosure.
what use was there in pretence?

so you told those cowards straight,
to carry on with ignominious lies,
because you knew the whole truth –
heck, you saw it with your own eyes!

so now you ride trains in the night,
mingle quietly in busy queues;
the world doesn’t want to see you
nor cares of the state of your shoes

and then one day, maybe quite soon,
you’ll vanish with barely a trace;
at least you knew your rabid enemy
defined the justice of your case

© copyright David F. Barker 2012

Poem ‘Molehill’

Molehill

Scafell Pike was a few miles distant.
Not visible.
But this was England’s highest point.
“A molehill!” he said, while we sat
laughing at each other from our tatty
old sleeping bags.

You should have met my Swedish
friend, a cabinet maker
resident somewhere in Switzerland,
accustomed to real
mountains and the exuberant air.
We got on like the proverbial house,
cooling it down with his wit, my
natural reserve, but we had
Abba and Borg and now the Buddha
in common – what was there not to like?

“But who is this Borg?” he said.
“Didn’t you know? Back home we say ‘Bory’.”
Really? Well I thought that wouldn’t do, shocked
out of my anglo-centric world.
But I trusted my sudden blond friend,
this infectious alpine Swede.

“And watch out for the snails!” he said, leading
us to the huge white tent.
Yes, weren’t they lives, too? just
not with our potential
to love and to care – though how often do we choose?

“Maybe on a clear day?” I said, pausing
by the entrance, pointing towards
where Scafell Pike might be.
He laughed. “Not in a billion years!” he said,
with his arresting smile

© copyright David F. Barker 2012

Poem ‘Pat 1.0’

Marlene Dietrich photograph
Marlene Dietrich photograph (Photo credit: Wikipedia)

Pat 1.0

A girl from the future, she’d said,
a real chic-chic-whirr!
Pat was her name, dark high heels and
clinging pink dress, a row of
little red buttons before me
which (the paperwork said), would ‘lead
to other worlds’.
So I pressed the bottom button, a thirty
second hologram projected from her eye,
a précis
from my time to hers: “My god!”
I said, all-a-gaga,
she really makes President?”
Button two appealed to my
sense of history. “I can be
any figure you like,” she giggled. So
I thought of Genghis Khan and
recoiled, I mean
I fell to the ground—
the stench of his breath and
bloody blade! so real,
but even he had a human eye.
Button three was ‘anywhere, anytime’,
so there we were in a darkening
Berlin bar, surrounded by
art deco, lots of nods and smiles;
I felt the spirit keenly, the zeitgeist
over my shoulder, whispering: ‘seize
the moment, this
brief,
precious time’.
And then she stood and sang for me
like Piaf, posed
like Dietrich, sizzled
like Kitt, singing how old fashioned she was but
I just wasn’t a millionaire, although
“zat, darlink,” she purred, with a brush
of mink on my cheek, “vill be easily
fixed!”
I felt
a little like Faustus before
Helen of Troy, though
she was no Mephistopheles;
more legion, everything rolled into one app.
All this time her top
button had intrigued the most.
“Go on— pat it!” she said, smoking
cross legged.
“You see?” She kicked
off a heel, letting
down her futured hair.
“Yes,” she whispered, pulling me
close, “and I, my sweet,
am just the beta version.” I looked
briefly
down on Metropolis
from floor 159, so brave,
so new.
Some things, clearly,
would never change

Poem © copyright David F. Barker 2012

Poem ‘October 15’

Electric soldering iron
Electric soldering iron (Photo credit: Wikipedia)

October 15

Lingering smells of vinegar and fish,
red and green smears on an empty plate,
a solitary bone in a serving dish.

The constable pours tea
in a room drenched in sunlight;
an incongruous joke becomes light relief.

At his age a simple case of lights out, it’s said,
something you have to believe.
Only an hour before he stood at the door

complaining of chest pains that
Alka Seltzer would not relieve.
The neighbour walks in wiping her eyes,

tells of a conversation by the fence.
She cups her drink, shakes her head,
unable to make much sense.

Light another round of cigarettes,
though wherever the eyes fall
there are many reasons for regret.

So stand, walk around,
peep through the net curtains where
the ambulance casts its shadow – no sound.

You’re numb with facts that won’t ingest;
a still hot soldering iron, pliers, cut wire,
like something from the Marie Celeste.

poem © copyright David F. Barker 2012
* first published in poetry collection ‘Anonymous Lines’, available at amazon.com

Poem ‘Wordspiller’

The Old English epic poem Beowulf is written i...
The Old English epic poem Beowulf is written in alliterative verse and paragraphs, not in lines or stanzas. (Photo credit: Wikipedia)

Wordspiller (for Christopher Marlowe)

So you are the spiller of words, almost
as far from me as
Beowulf is to you.

Wordspiller, your crosspose outstands me,
but I backthink
the falling choirs where you sadwalked

your summerwaiting mind, to
when your glories were mere
airthought,

like the Greathallow who once
shorestepped there
to see for himself

your forliving Angles (he oncebethought
angels) and their saxon King
Ethelbert redeemed to newspells that

you mindweighed as truthless.
Now I meet your clearstead gaze; for
the muse which stretchfed you

has not alleaten you yet

poem © copyright david f. barker 2012