Days of Innocence and Eternity

beach

Summer is not far away, fickle though it may be in England’s northerly reaches.

To us as children the good days were glorious; down at the beach the sun was our friend, the sea and sand our playmates through the days which would last forever. Eternity was within our reach – then.

In reality nothing much has changed, only our perception of reality.

cropped-beachheader1.jpg

paintings by Francis Barker

Interesting Textures 2

oilpaint2

Oil paint with a varnish can look fascinating close up, suggesting other things, like food or less palatable things…

oilpaint1

… and sometimes it almost looks like geographic features from space. It is the imperfections that are most interesting, the unintentional strokes. Here the use of the underlying canvas adds to the interest.

 

images and words ©copyright rp 2016

Poem: ‘Turning’

foam

Is there a point where the tide
stops,
a moment that I could see, or touch?
I’ve been looking
at tables giving times, exact
minutes of apogee, and it was
just here I’m sure,
right here,
where I pointed
and watched
and saw nothing, except
the foam stretch ahead of me
like phantom silk, all
along the buff triassic sand, as far
as I could see or walk.
“That’s where the waves
stop,” you said, “where the tide
turns back to the sea – and me.”

image and poem © copyright David F. Barker

Poem: The Creative

Enkidu
Enkidu (Photo credit: Wikipedia)

Inspiration is a leech on the
creature of conflict. How much
better it would be if our lives were
merely plain and ordinary, transcending
this light and shade, our existence
reliant only on plucking fruit
from a tree, cupping clean
water from a stream; and that
all my words and lines,
such as they are,
derived solely from love and light.

But we’ve seen to it, you
and me, have decided
to find out and exaggerate
every little nuance we have, to look across
at each other from these
dubious divides with poison eyes, our fixed
minds like two scorpions in a bottle.
And what we can’t steal or bribe or starve
from each other, we will fight for
to the end, till every last
sap of strength and all our blood is gone –
for that sweet taste of victory.

We’ve all spoken these platitudes,
though only seldom act
or relent. Even in our shadowy beginnings
the weary Gilgamesh knew; primeval
battles between dark
and light still raging on inside.
His remorse and grief leap out
at us from figures in dried clay like
they were made today, a reflection
of ourselves, our tears,
the lessons never learned. So,
if you must – go ahead.
Do your worst! Though please
make it your best
and I will write, endlessly

poem © copyright David F. Barker 2013

Solstice

solstice

I stood alone
with you,
like it was the end of our world, an
eerie glowing sky reflecting my heart, with
the solstice on its way. You
turned to look at me, that smile
I knew so well, your gracious nod
I’d never seen in real life. My hand
went through you – you were not
there anymore, just an echo like the
sonorous bells over pantiles, made
uniform by the morning rime. You said
I looked ‘frit!’ in the dialect
brought across to your city,
the voice of your
distinction. ‘Your life is not
your own,’ you said, ‘even the sun
never stands still, only seems to.’
So you told me not to worry, not
even care, to let it all go
now, that it’s better to die trying
than do nothing,
a short life
with meaning and all its
tortuous crosses borne, can become
a pilot light of inspiration. You
walked towards the sea, smiling
once more and unafraid, before vanishing
out of time into the
low glinting sun, a promise
of far off warmth
and the revelation to come

image and poem © copyright Dave Barker 2012