Poem ‘Pat 1.0’

Marlene Dietrich photograph
Marlene Dietrich photograph (Photo credit: Wikipedia)

Pat 1.0

A girl from the future, she’d said,
a real chic-chic-whirr!
Pat was her name, dark high heels and
clinging pink dress, a row of
little red buttons before me
which (the paperwork said), would ‘lead
to other worlds’.
So I pressed the bottom button, a thirty
second hologram projected from her eye,
a précis
from my time to hers: “My god!”
I said, all-a-gaga,
she really makes President?”
Button two appealed to my
sense of history. “I can be
any figure you like,” she giggled. So
I thought of Genghis Khan and
recoiled, I mean
I fell to the ground—
the stench of his breath and
bloody blade! so real,
but even he had a human eye.
Button three was ‘anywhere, anytime’,
so there we were in a darkening
Berlin bar, surrounded by
art deco, lots of nods and smiles;
I felt the spirit keenly, the zeitgeist
over my shoulder, whispering: ‘seize
the moment, this
brief,
precious time’.
And then she stood and sang for me
like Piaf, posed
like Dietrich, sizzled
like Kitt, singing how old fashioned she was but
I just wasn’t a millionaire, although
“zat, darlink,” she purred, with a brush
of mink on my cheek, “vill be easily
fixed!”
I felt
a little like Faustus before
Helen of Troy, though
she was no Mephistopheles;
more legion, everything rolled into one app.
All this time her top
button had intrigued the most.
“Go on— pat it!” she said, smoking
cross legged.
“You see?” She kicked
off a heel, letting
down her futured hair.
“Yes,” she whispered, pulling me
close, “and I, my sweet,
am just the beta version.” I looked
briefly
down on Metropolis
from floor 159, so brave,
so new.
Some things, clearly,
would never change

Poem © copyright David F. Barker 2012

Poem ‘The Artist’

The Artist

Black paint on the front door
was peeling badly. Before knocking
I ran a crackling finger over it,
flakes falling into shade around my feet.
A small grey lady in garish pink
dressed for bed, squinted up at me,
something akin to Stravinsky
played in the darkness behind her.
“Take a pew!” – words betraying her age,
her station, a headmistress perhaps,
Arnold’s paintings in primaries all over low,
leaning walls in a room of gloom,
as if yellowed by years of smoke
and smelling of rose and age.
His preference for palette knife
and fingers were evident at once –
then a portrait, blue eyes staring at me,
almost violet, gorgeous like Liz Taylor
and hints of a grey uniform with pips.
Tea and scone arrived on Royal Albert
with shuffles of pink slipper.
“The portrait,” I pointed.
“Oh, that’s me, circa 1944,” she croaked,
standing bent. “But not his usual style.”
“No,” I had to agree, writing frantically,
excitement like sap
sent tingling up my spine.

So, let’s get this right:
She had trained in Ireland,
was deployed to France,
following allied troops into Germany
all the way to the end, in Berlin.
Hers an eccentric family of noble stock,
a quite irregular life lived on the edge.
Did I believe her? At first, yes.
At least until I closed the door
with that peeling paint.
Then I noticed the corner in the road,
breathed in the fresh air,
saw the rush of wind in poplars
and rooks cawing their honest presence.
The further I drove the less I believed.
Narrow roads led into town, a realisation
that still – the artist had eluded me

Poem and image © copyright df barker 2012