Poem ‘Snow Again’

Snow Again

I grab a cup of tea, set out
to make something of the day.
Snow again, it brings daylight on.
They describe it as ten centimetres
which I still find hard to see.
It’s enough to cover my shoes,
that’s how I look at it
while clearing your little car.
Later, the laptop warms my knee
with Schubert declaring his genius,
when I feel the phone shudder.
A cursory text says the roads
were not too bad.
I look outside at the gathering host,
busy blots of grey and black
on white. An emerging blue.
They know the human is about
and that he has food.

photo and poem © copyright dfbarker 2012

Poem ‘Adventus’

Adventus

I wake up
and the world has changed

there’s a strange quality to the light,
lurid colours of the sky creating
anthropomorphic shapes in clouds,
warnings weaved through vapour trails
like a painting by Roerich

I hear the blackbird
he’s singing a new song,
displaced by the cunning air
in an odd synchronicity
which cavorts with my mind,
a nameless advent

a voice in my head
says to ignore the news,
make a lover of the duvet
and I resolve play Vaughan Williams
around the clock,
cry out my heart to his glorious fifth
till that sweet second
to midnight comes

poem and image © copyright dfbarker 2012

abstract image created digitally.

Poem ‘Anonymous Lines’

Anonymous Lines

Downstairs any morning;
sunlight and smoke
in slow swirling clouds.
The cat wanders in,
cries and wanders out,
flopping down the step
toward shrill sparrow sounds.

An open passage door
through which I follow
into a past, or no time at all.
Gooseberries hairy in the mouth,
that sour shock at the crunch.
Raspberries sweet on the tongue;
peas plucked from the pod,

sitting between rows of green.
His shadow blots out the sun,
a tall silhouette, cap pushed back
as a match is struck.
I follow to runner beans
and strawberry rows,
where the cat rolls over and over.

He is distant now, never hurried,
where it all opens up,
when I cling to his leg
looking down on the dyke
where the moorhen struts.
Out onto prairie fields,
anonymous lines of roads

and pylons. A relentless horizon.

© copyright dfbarker 2012

*first published in poetry collection ‘Anonymous Lines’, available for purchase at: http://liten.be//gHmf9

In this poem, I was trying to convey some of my childhood impressions of summer, my father, and his little piece of land in which he grew all our vegetables. The painting is a slightly digitally enhanced version of an original, showing a typical (although romanticised) summer scene in my neck of the woods – although there are very few woods!

Poem ‘Southside’

Southside

seabird shadows play
across my drawn curtains

a minimalist drama
upon which I intrude

car tyres scrunch by
like slowly tearing paper

gulls’ insistent cries describe
someone sparing food

© copyright David Francis Barker 2011

*The poem was inspired by last winter.

**The illustration this time is a photograph I took at Bempton Cliffs, Yorkshire, England, of gannets, which has been manipulated.

Ghazal?: ‘A picture of you’

A picture of you

you cupping daffodils in sacred space
this picture of you framed in sacred space

yes I’m dreaming of spring, of light, of warmth!
a new life together, our sacred space

we’ve returned like birds in hope of new life
preparing for love in lush sacred space

what peace there may be, let’s find it again
near where the lilies grow, their sacred space

here, walking free, he whispers words of love
so we join him to share his sacred space

© copyright David Francis Barker 2011

*This has been work in progress for many months, but like all poetry I now abandon it, at least in this form.
Whether it can still be called a ghazal, I’m not sure. The last verse originally had a full reference to me, but I changed it to the third person and left it as the phrase ‘walking free’, which is a weak link to Francis, my middle name, which could mean ‘free man’, or perhaps, ‘little Frenchman’! Anyway, the original idea was to imagine Saint Francis in a garden with the birds but I guess it has morphed now into a romantic wish with hints of Francis walking somewhere in a beautiful garden, which might well be a nice place to be.
The painting (or a part of it) is my take, an impression if you will, of Monet and his water lilies, mixed media on canvas.