Frida Kahlo is one of the most iconic and celebrated symbolic-realist artists of the 20th century, but her short life was painful and ultimately tragic, yet nevertheless full. Is there such a thing as a trade off between genius and pain?
Such was her fame that even during her lifetime, in 1942, one of her paintings sold for over $3 million at Sotheby’s.
When I first looked at her chart I noted that the three so-called outer planets (which are invisible to the naked eye and therefore not luminaries) are in key sensitive points.
I have long thought that Uranus, Neptune and Pluto and their supposed influences are something to be avoided, or overcome, even though they might put the individual in touch which certain deeper, darker and ultimately dangerous forces of our universe. Uranus may bring originality but can disrupt suddenly; Neptune may inspire but confuses and befuddles; and Pluto might provide intensity but undermines darkly.
At the age of 6 Frida contracted polio which left her with one leg shorter than the other. Later, through sports, she built up her body strength with characteristic resolve and went to one of Mexico‘s best schools.
A Life Changing Accident
Then fate intervened again when she was severely injured in a horrific road traffic accident in Mexico City in 1925. It was a life changing experience which she never truly overcame, but such was her intense lust for life and experience, she got through it, despite numerous operations, including a leg amputation later on.
During this early period following the accident, she began to paint and this was the beginning of her career which saw her later exhibiting as far a field as New York and Paris.
Due to the intense pain and the resulting depression she also developed a drinking habit but always lived life to its fullest.
‘The Heroine of Pain’ What Does the Astrology Say?
There is little wonder that in her native Mexico she is referred to as ‘the heroine of pain‘ – ‘la heroina del dolor’. She certainly seems to have had that air of greatness about her which only few achieve during their lifetime – but at what price?
She has Leo rising with Mercury in the 1st house. Here is the lust for life and creativity and to express it.
However, her ruler the Sun is immersed in the ocean of a 12th house Cancer conjunct Neptune, forming the most difficult and trying figure in the chart.
This subconsciously embedded conjunction is opposed by a practical Mars conjunct Uranus in the 6th house of health and efficiency. This activation of the 6th/12th house axis might well have been behind the motivation to seek a career in medicine in her early teens.
A Potential Career in Medicine
She would appear to have been as much interested in mental as well as physical health, especially so as an exalted Jupiter is also in the 12th house quite close to her north node; she might well have become a doctor of psychology or psychiatry if things had been different, yet other medical paths could have suited. But it wasn’t to be. Any aptitude toward practical medicine was firmly rebuked by fate, steering her toward creative art with a symbolic edge.
Whilst Neptune close to the Cancerian Sun might at best be inspirational, its major influence is to subconsciously confound and upset, affecting her psychologically. This may suggest the subconscious symbolism of her art. Sun Cancerians are family orientated but happiness in this area of her life was to prove elusive.
Opposing the Sun/Neptune conjunction, Mars/Uranus only antagonise and disrupt, the martian strength being exalted in Capricorn, yet is physically embattled and irritated by revolutionary Uranus. The exact opposition between the Sun and Mars illustrates the intense attraction to men she had but also the difficulty in maintaining steady relationships, even though she only married one man – twice.
This opposition of conjunctions effectively energises the whole chart, mimicking the explosive drama of her life.
A Ribbon Around a Bomb?
Psychologically Frida was deep, intensely emotional but had an exacting attitude too. Her Venus, ruler of the MC and 10th house of career, is closely conjuct the undermining influence of Pluto in the 11th house, challenged by Saturn from the 8th. This also reflects her intense relationships and friendships, her difficulty with them, as well as her interest in feminine identity. Venus Pluto and a Taurean MC suggest the intense realism and symbolism of her art.
Her Moon exalted in Taurus in the 10th house is also void of course in the last degree of the Bull. Whilst this might add a certain steadiness to her emotional responses, she might also have felt as if she was always fighting against time. Void of course Moons are difficult to assess in natal charts, but this is my take.
She was once described as being a ribbon around a bomb. Whether that is accurate or not, she was certainly one of the most naturally gifted, intensively creative female artists of any period. Iconic indeed.
When we talk about classical music today, 19th and early 20th century French romantic composer, pianist and organist, Charles-Camille Saint-Saëns, may not figure in the highest echelons in terms of outright popularity.
Ok, so he isn’t Bach, Mozart or Beethoven, nor Schubert, Schuman or Wagner, but in astrological terms, much deeper than the mere superfluous realm of ‘star signs’, he makes a most interesting study indeed.
This fellow Saint-Saëns was certainly a remarkable child prodigy and composer, whose musical abilities did appear to come rather easily to him. Anyone who could produce works of the quality of, for example, ‘Danse Macabre’, ‘Carneval Des Animaux’ and ‘Samson & Delilah’, must certainly qualify as being near to the pinnacle of their profession.
He went on to be a very well travelled international figure, as well as being highly honoured, receiving the French Grand Cross of Legion d’Honneur in 1913. He was also inspirational; Faure and Ravel were both strongly influenced by him, for example.
By the age of 6 this prodigy was already composing, performing as a pianist by the time he was 10. He entered the Paris Conservatoire aged 13 and composed his first symphony when he was 18.
Saint-Saëns became quite a scholar of musical history, too, developing a more conservative, traditional approach to compositional structure, something which set him against the more modern trends of the early 20th century, which evidently wanted to turn everything on its head, as in other artistic fields such as painting.
Controversy and tragedy affected him too at times. Marrying later in life, to a much younger woman (to the surprise of those who knew him) the relationship would appear to have always been difficult, or strained. Nevertheless, the couple had two sons. However, in 1878 an appalling tragedy struck when the 2 year old Andre fell to his death from their Parisian flat window.
Tragedy & Disappearance
Only six weeks later, young Jean Francois died of pneumonia. This effectively ended their marriage. In 1881 whilst on holiday with his wife, he suddenly disappeared, later writing her a letter of explanation — that we would not be coming back. Even so, the couple never divorced. Speculation has remained as to Saint-Saëns’ sexuality.
Overall, however, this remarkable man led a very successful and productive life. I was intrigued to come across his birth data, so that I could assess him astrologically.
One of the most remarkable features of his chart is the positive placement of most planets. In traditional astrology, a planet is said to be exalted, or function at its best, in certain signs. In Saint-Saëns’ case, he has Saturn exalted in Libra, the Moon exalted in Taurus and Jupiter exalted in Cancer. Would might this mean in terms of interpretation?
Let’s begin with Saturn in Libra. Saturn, often still called the Greater Malefic, signifies limitation, boundaries, structure; in Libra, the Cardinal Air sign, this function is well reasoned, balanced in the most positive way. I will return to Saturn shortly.
Then we have the Moon exalted in Taurus. The Moon represents our responses, emotions, feelings; in Taurus (also ruled by Venus like Libra), these qualities are at their most grounded and fruitful.
We now turn to Jupiter, the Greater Benefic, exalted in Cancer. Jupiter is expansion, optimism; in Cancer, ruled by the Moon, expansion is given a nourishing, homely expression, like a blessing upon the base of our lives, quite often our mainspring for success in life.
A Charming, though Dignified Bearing
What is more, Saint-Saëns had other planets which were ‘dignified’. What do I mean? Dignity in astrological terms refers to a planet being in the sign of its rulership.
Firstly, he has Venus in Libra, the principal of unity given a highly balanced and considered expression; an ideal of beauty, balance and peace.
Then he also has Mars in Scorpio, which it traditionally rules. I personally do not subscribe to the ‘modern’ notion that outer planet Pluto rules Scorpio. Mars is energy, activity; in Scorpio, the Martian energy is concentrated, somewhat emotive, and also secretive — yet even so, well placed if one wishes to achieve something deeper, meaningful.
So what are we to make of all this ‘positivity’, the level of which I haven’t come across too many times before? Overall, it may represent the positive gifts he was born with, Saint-Saëns’ ability to create, seemingly with ease and with the blessings of his local universe.
Let us now return to Saturn, which was rising conjunct the ascending degree in Libra, closely followed by his Sun and Venus in the same sign of the Scales. A Libran ascendant is courteous, diplomatic, often charming, yet with Saturn so close to this degree, one would expect a certain amount of caution too, perhaps manifesting as a kind of dignity in the manner and appearance, which might seem at times like a little shyness, reticence, even haughtiness.
Conservatism, Good Fortune& Fixed Stars
As said above, limiting and conservative Saturn is indeed ‘exalted’ in Libra, so it is not surprising that later in life he grew to be noted for his conservative outlook, plus the deliberately structured nature of most of his works. He tended to favour the more traditional compositional styles in the long run, even though as a younger composer, he accepted the then ‘modern’ trends of such men as Wagner, without truly embracing what they stood for.
At this point I would like to introduce the fixed star, Spica, which is also conjunct the ascendant and close to Saturn. I have only recently begun to reintroduce certain fixed stars (the 15 Behenian Fixed Stars) into my method of interpretation — I think they can be highly significant.
Spica, traditionally, is said to be of the nature of Venus and Mars, a star of good fortune. This is thought to confer general happiness, honour and preferment. If we take out his short lived marriage and the major life changing tragedy of his young sons, Saint-Saëns’ life in general was very fortunate.
Keen Student of Musical History
This fixed star is also close to Saturn, conferring interests in the occult and history too. It is known that he was a keen student of musical history, which had a strong influence upon his compositional style.
Saint-Saëns’ Sun conjunct Venus in the Libra ascendant, would only underline the charm, diplomacy and overall affability of his personage. There would also be a certain amount of sophistication about his presence too, attention to his appearance, probably a liking for traditional fashion (Saturn in Libra conjunct ascendant) and being ‘just so’.
With all this Libra in his chart, he would certainly have craved company too; he might not have felt whole without a ‘partner’ in life. So it is perhaps a surprise that he did not marry until he was around 40. Some have speculated about his sexuality, although it could simply be that he was rather fussy; Librans often have trouble making up their minds, being seekers of perfection with high ideals.
Humour & Magnanimity
His exalted Moon in Taurus would provide relatively stable emotions, pleasant responses to stimuli, perhaps underlining the conservative streak. However, his Moon is also in good sextile aspect to the equally exalted Jupiter in Cancer.
I think there would have been a distinctly good humoured and magnanimous quality about him too, that would have been highly beneficial to him in his career, for Jupiter is housed in his career house and his exalted Moon is ruler of that 10th house. He was fortunate.
Jupiter is also the planet of expansion and projection, physically and mentally. Saint-Saëns became highly travelled through his lifetime, making 179 trips to 27 countries, an astonishing tally.
Much Travel & A Well Developed Mentality
This Jupiter is also close to the fixed star Sirius, generally considered another positive indication. This infers much travel in the career, usually by sea (Jupiter in Cancer), plus a generally caring nature.
His dignified Mars in Scorpio is conjunct communicative Mercury in the 2nd house, ruler of the 9th house of philosophy, the higher mind and travel. This gave him a highly powerful, penetrating, determined and energetic mentality, probably an endless curiosity too, which drove him on in his practical working life. Mars is also the ruler of this house: This was no day dreamer — he wanted practical results. As a young student he was highly proficient in many profound subjects and had a particular love of astronomy throughout his life.
That Trying T-Square
If I may turn to the less positive aspects of his known life, namely the failed late marriage and his sons’ untimely demises, it may be symbolised in what is known as a T-square formation, involving his first house Sun and Venus in Libra, opposite Pluto in the 7th house, both squaring (90 degrees) Jupiter in the 10th house. This is certainly an indication that all would not be plain sailing in personal relationships, which would certainly impinge upon his career and aims.
As I have stated before, these days I do not see the outer planets, Uranus, Neptune and Pluto as at all positive influences. They are not ‘higher octaves’, as they were once deemed: if anything they are lower, baser influences. They have to be overcome, indicating areas of our life where there could be potential pit falls, or worse.
Potential Disruption in Troubled Relationships
Pluto in the 7th house certainly forewarns one of marriage and/or partnership disruption, especially so as the same planet is opposite (challenging aspect) the harmony seeking Sun and Venus in Libra in his first house; Pluto is directly threatening potential termination, if one is not careful.
I would also imagine that personal relationship issues, such as those indicated by this Sun and Venus opposite Pluto, would have also threatened his career, and also the stability of home and family life: Exalted Jupiter in Cancer is in itself an overall indication of good fortune in family concerns, but maybe serious relationships, such as marriage, constituted a threat.
To Marry, or not to Marry
It is easy to say in retrospect, of course, but would it have been advisable for him not to have married? Did the conventions of the day ‘force’ him into doing what every one else did? He was, after all, quite a conservative in many ways.
Equally, we have the presence of the other two outer planets, Uranus and Neptune in the 5th house of children, speculation and creativity. The potential to have ‘problems’ with offspring are indicated here; Uranus can turn things upside down with sudden, unexpected events; Neptune confuses issues, although no one could have envisaged the tragedy that befell his young family. And whilst controlling Saturn forms a loose positive trine aspect with Uranus, which might have lessened the impact of the rebellious planet, the potential negativity of Uranus would still be there.
I found Saint-Saëns the most fascinating character to study. I have to say that I really like him; I am sure he would have been most agreeable to meet, to talk to, to be simply be around.
Most of all, we can all still enjoy the quality of his compositions.
This is the final installment in the series about the Traditional Model of the Cosmos in which I discuss my ideas about the Outer Planets. For more information about my thoughts on the Outer Planets, see: The Outer Planets – A Theory The Outer Planets: the Pseudomythos of “Higher Octaves” and “Transcendence” Pluto: Its Discovery, […]
Over the course of the next day the Moon in Virgo will trine — that’s a 120 degree aspect considered positive in astrology — three planets moving retrograde in Capricorn: Jupiter, Pluto and Saturn.
In astrology Capricorn is perhaps the political sign par excellence. The fact that three heavyweights are occupying the cardinal earth sign for most of this year, along with disruptive Uranus in financial Taurus, bears testimony to the political, economic and cultural maelstrom which we are witnessing.
Earth Signs and Structure
Capricorn, and earth signs in general, are about structure. Uranus moving through Taurus is forcing us think of money and security in different ways. Delving and transformative Pluto in Capricorn is digging deep into the political quagmire and pulling up a whole host of frightening truths we scarcely knew existed.
Restrictive Saturn has returned to its own sign until the end of the year, trying to hold on, sometimes desperately, to the status quo. Soon the greater malefic (so-called) will team up with Jupiter and both will shuffle through the threshold –into Aquarius, but that’s another story.
Jupiter in Capricorn is in the sign of its detriment, it doesn’t sit well. How can his need to expand be easily accommodated into the sign of restrictions? Nevertheless his generally benevolent presence there does mean that there are signs of hope and support, to maintain some kind of structural coherence.
Some Better News?
So over the next day, the Moon will contact these inhabitants of Capricorn from Virgo, hinting to me that we may see some slightly more beneficial news, even though all three planets are retrograde. This ‘better’ news, whilst being political and economic, may also involve good news in regard to some health issues or even be related to work and employment — all Virgoan issues.
That said, soon after making contact with Jupiter, the Moon opposes confusing Neptune in Pisces, indicating that we need to take heed of the fact that not all of the news we are getting today is going to be clear or indeed trustworthy. As ever we are going to have to use our own discernment and apply it vigorously.
In part one of this topic I commented on the social and cultural changes instigated around the mid 1960s, breaking off my narrative around the end of 1965 with the supremacy of The Beatles. I argued that the deep, fundamental astrological influence of the outer planets, most particularly the conjunction of Uranus and Pluto in 1965/6 was symbolic of these changes.
The first meeting of Uranus and Pluto was in October 1965, followed by two more conjunctions on April 6 and June 30 1966. The changes were truly worldwide, seemingly polarised in nature, all enhanced by media manipulation and/or the growing promotion of drugs like LSD. The latter is symbolised by Neptune’s positive sextile aspect to the other two outer planets at this time. Even sex was liberalised with the introduction of the pill, pushing the idea that women could be as ‘free’ as men.
At the same time we may have viewed the Cultural Revolution in China as being the opposite of the ‘liberation’ going on the ‘West’, perhaps seen in ‘reactionary’ Saturn being in opposition to the Uranus Pluto synod.
Yet when we analyse the rather divergent political systems, the actual processes were the same – revolution fostered by a saturation of propaganda, all to gain maximum power and control. Uranus upturns, Pluto grabs the reins, with Neptune providing a little deceitful cover in the form of film and other media propaganda as a way to persuade and ultimately deceive.
China aside, just like the Uranus Pluto conjunctions of 1850/1, London and England once again seemed to be pivotal to the cultural changes, with the so called ‘British Invasion‘ and London becoming the hub of the new fashion scene, epitomised by such manifestations as Carnaby Street.
Interestingly the Beatles landmark album ‘Revolver’ (that is, revolution) was released in August 1966, a summation in music of what was going on. It was indeed a very revolutionary catalogue of songs, utilising unusual, highly sophisticated writing and recording techniques. This was truly one of the cultural icons of the age, symbolising innovation and change (Uranus) in music (Neptune), to instigate a change in the guard (Pluto).
Back in September 1966 JimiHendrix, arguably the most brilliant and influential guitarist ever, was brought to England, a step which was to propel him to superstardom at rocket speed within weeks. Although he would be dead within four years, Hendrix typifies the period of sudden change and vast, worldwide influence – a meteoric career indeed. Yet his star still burns bright in the minds of many today.
’68 – Year of Revolution
If 1966 really was the pivotal year, it led directly to the ‘Summer of Love‘ in 1967 and the explosion of creativity in art and culture, transcendental meditation et al. Accepted paradigms were being questioned, which in turn led to the 1968 year of revolution, which came very close to bringing down the French government, for example.
1968 was probably the most tense and tragic year of the decade. The Vietnam War was at its height, as were the protests against it. The call for change, positive or otherwise, was reaching a crescendo. Political leaders who might have been able to bring about such change, such as Martin Luther King Jr and Senator Robert Kennedy, were assassinated in the melee of confusion and hate.
Trying to assess the situation is difficult because of its complexity and the benefit of hindsight is indeed a valuable thing. It does not appear to be a simple case of left versus right, or even right and wrong.
Astrologically, Uranus has often been seen as ‘right wing’, but I disagree. I think Uranus simply represents the force for change, revolution, literally turning things over, as in the name ‘Revolver’. I therefore see Uranus as more what we might call ‘left wing’.
Pluto is fundamental, often the hidden power behind the scenes. As I have said, Neptune working in tandem provided the medium (music, art, film) through which such changes could be started in that 1965/6 period.
Yet behind the passion play which was the 1960s narrative, was another, the so called ‘Space Race’, ultimately won by the USA when America landed a spacecraft visibly on a lunar surface.
Race to Oblivion?
The date was July 20 1969. Intriguingly, on this very day Uranus, planet of change and breaking barriers, was exactly conjunct the Greater Benefic Jupiter at 0 degrees Libra. To me this symbolised a conquest, not merely through the fact of the news headlines which followed, but in the long term reconfiguring of humanity at a global level. The lunar missions would peter out by the end of 1972 in a climate of disinterest: few would have predicted that.
Uranus is often credited in creating ‘individual’ tendencies when strong by position or aspect; it can manifest in individual personalities in traits like eccentricity. Nevertheless, Uranus is ultimately trans-personal and collective.
Continual Revolution – and Disillusion
It is no surprise all three outer planets were ‘discovered’ at times of great, revolutionary change; 1781, 1846 and 1930. The political manifesto most associated with all three the outer planets is socialism, a collective philosophy which has now spread to the entire world in various forms.
The 1960s began as an era of much promise, with a young American president taking office. The mid 1960s witnessed a vast cultural revolution, manifesting in various ways, depending on the political milieu of each country, though the same radical tactics were used. These were based on disruption and chaos (Uranus), confusion and deception through promotion of drugs and media (Neptune in aspect to both) and surreptitious power grabs (Pluto).
It is a sobering thought that the 1960s symbolically ended with the tragedy of the Altamont Festival on December 6. What had it all been for? Yet we are still living with the effects of the 1965/6 synod of Uranus and Pluto. The opposition will not be for a couple of decades. What kind of world will it be by then?