Poem ‘Weapon Take’

Weapon Take

No rusty blade
ever turns up here,
no shadow of a ship
or bejewelled belt;

no iconic helm
to add credence
to our wounded identity.
Not even signs

of a mystery hillock
rising in hugging mists
to excite or intrigue
those metal detector men.

Merely one vast industrial
scar, scoured of feature,
almost of life, tamed,
or destroyed,

depending on your view,
turned inside out
by Angevin priors
and inscrutable Dutchmen.

I come from a long
line of diggers
and dark-eyed women,
grown out of this morass,

hardened to sweat
and pitiless Ural winds.
People who made-do,
though never in

any doubt they
were the subjected
men of their Hundred,
the brave new Wapentake,

where the councillors
still speak in a
double-Dutch behind
tall, timbered walls.

poem and image © copyright dfbarker 2012
*poem first published in collection ‘Anonymous Lines’, available at amazon.

** Wapentake was the Danish word for the English Hundred (a small, political unit, originally meaning a hundred homes). This word is still used in the ‘Danelaw’ counties of eastern England.

Poem ‘Mare Incognito’ (for J)

Mare Incognito (for J)

Somewhere between
Southwold and Saltfleet,
that’s all I’m prepared to say.

Where eastern seaboards
lose out each year,
glacial moraines fall away

with no answer to tides
that even kings couldn’t resist.
England crumbling in eye and mind.

Cliffs.
Now that could be a clue
but they’re not too high,

though high enough to sit on
and savour the grey seas,
the view, such as it is.

Does it matter?
Fine days won’t do, not to this mind.
Sea mists, fogs, or battleship skies

which leave enough to be imagined,
whose easterlies cut me into me
whatever I wear—they’re best—

when the only way to keep warm
is to keep moving, jogging
below the sleek aerobatics of herring-

and black-backed gulls,
super-marine harbingers of storm
doing their best to bring life to

Mitchell’s drawings of seaplanes—
and the spitfire.
Such an elegance in death.

But I’m here to forget about war,
about politics which can only
divide and kill.

Grey days mean I’m alone
in a moody make-believe.
I turn my back on all that was,

think about what might be,
where nightmares a few miles away,
that lost world within my right hand,

might just be gone when I return
or answer the bleep which says
I’m connected, branded for life.

Leave me now.
For a little while longer
let me say I’m free

image and poem © copyright df barker 2012

Poem ‘Safe Distance’

Trench Warfare, General Conditions: A party of...
Image via Wikipedia

Safe Distance

Another old soldier who never speaks.
Sitting stiffly in braces and polished leather,
his medals left in bric-a-brac drawers

with sovereigns and half crowns,
concealing the nugget –
the tale worth telling from this safe distance.

A story of a corporal who carried
a limp subaltern from no man’s land
to safety through a Belgian quagmire.

Lieutenant Turnbull was a right bastard,
but no point in resentment or fear
when a bullet could tear through your head

at any time. Simply had to do it and get on.
His blank eyes, though still blue,
cannot disguise the bare brown soul,

like the pounded landscape, the kit bag
he carries around everywhere.
Until the lights go out.

© copyright df barker 2012
First published in poetry collection ‘Anonymous Lines’, available at amazon.com

Poem ‘Raptor’

Raptor

Over church, a windmill,
warmer hued in a meagre sun,
through copses freshly naked
and into skies of madonna blue

My eyes are led easily,
catching the swift sole movements
like a gorgeous leaf circling
in elegant fall and flight

It all brings a rare smile
to winter’s thinnest lips,
this soaring, plaintive viola—
a primed glissando on his prey

image and poem © copyright dfbarker 2012

Poems: Haikus— ‘Changes’

Haikus— ‘Changes’

step back little life
faces change though streets remain
cross with no regrets

spring’s hushed voice in trees
snow lingers on in furrows
earth unbends to light

poems and photograph © copyright dfbarker 2012