Oil paint with a varnish can look fascinating close up, suggesting other things, like food or less palatable things…
… and sometimes it almost looks like geographic features from space. It is the imperfections that are most interesting, the unintentional strokes. Here the use of the underlying canvas adds to the interest.
images and words ©copyright rp 2016
Spring finally comes, like your
warm breath on my
desiccate skin. So then
sing to me of careless summers,
your smile, where
love begins
© copyright David F. Barker 2013
These are my favourite clothes, I
wear them for days on end.
See?
They retain their shape,
my shape,
even when I toss them
into wardrobes, or hang them from
skeletal frames, dis-
assembled, waiting for warm
odours of my living
return.
So say you’ll never throw them
out, and resist all
temptation to wash. Simply
lay them on a chair or bed – though
mark the creases,
the bulges of cotton limbs, fleshy
legs which have moulded denim,
now hanging in threads. And make sure
to study the greasy collars, precious
oils of my skin. Then take
hold of this shirt, stretch the faded
fabric in your hands and breathe in
the smell of years. Remember
the walks and our talks, when
there was only time to kill. For these
things, which may be nothing now, are
still worthy of note, the relics of
a single life
and not without right
image and poem © copyright David F. Barker 2013
Is there a point where the tide
stops,
a moment that I could see, or touch?
I’ve been looking
at tables giving times, exact
minutes of apogee, and it was
just here I’m sure,
right here,
where I pointed
and watched
and saw nothing, except
the foam stretch ahead of me
like phantom silk, all
along the buff triassic sand, as far
as I could see or walk.
“That’s where the waves
stop,” you said, “where the tide
turns back to the sea – and me.”
image and poem © copyright David F. Barker
In a diamond city night we’re
taxied through floodlit streets
angled snow alabasters old facades
medieval histories beyond all guessing
Flanders is frozen outside this misted glass
the two of us sitting nose to nose
our tongues loosening aperitif smiles
white burgundy cutting through brie
making heads light and cheeks flush
and toe touch toe
Our eyes meet when bare soul strokes calf
kissing slim fingers one by one
plied each day to taut cello strings
sneak previews to plots and suites of night
image and poem © copyright David F. Barker
* sorry, but this is an oldie!
Ciscography 