
The church is empty
I visit like a tourist
Waterless canal
copyright Francis Barker 2019

copyright Francis Barker 2019

The long nave is quite stunning, with a beautiful roof and with a modern golden image of Christ suspended high as a focal point.

The cathedral is dominated by Norman and early English architecture, with numerous examples of Norman arches, such as these interlacing examples above.

The cathedral is also notable for its association with two famous queens.
The first was Catherine of Aragon, Queen of England when she was married to Henry VIII. Catherine was buried here in 1536 and her tomb is still something of a shrine to her memory, with pomegranates very prominent as her symbol because the fruit appears on her badge. Pomegranates are an ancient symbol for fecundity and regeneration.
Catherine certainly suffered much during her husband’s long and protracted break with Rome, in which she was the innocent victim, her only crime it would seem was not being able to produce a living male heir for Henry to perpetuate the Tudor dynasty. This was how she was treated after being completely dutiful to the king, but Henry had to have his way. Her motto, which translates as ‘humble and loyal’, is a phrase she very much lived up to.


The second queen associated with Peterborough Cathedral is Mary Queen of Scots.
Mary inherited the Scottish throne after only a few days of being born, thrusting her into a world of political intrigue and shenanigans which she was never able to control.
She essentially became a pawn of more powerful rulers and some despicable characters. However, in 1559 she duly became Queen Consort to Francis II of France, solidifying Scotland’s long alliance with France.

Sadly within 18 months the young kind died prematurely. Had he lived, Mary’s life would have turned out entirely differently. As it was, she became a teenage widow and a long series of political and personal disasters ensued when she returned to Scotland. Eventually she fled to England and came under Elizabeth’s control.
After many years’ imprisonment in England, during which the still substantial Catholic faction within England with aid from Spain continually conspired to depose Elizabeth and put Mary on the English throne, she was finally executed at nearby Fotheringhay Castle in 1587.
She was initially buried in Peterborough Cathedral, but her son, James I of England, had her remains transferred to Westminster Abbey in London.
words and photographs copyright Francis Barker 2019

This might be due in part to Lincoln’s prominent setting, Ely’s architectural distinctiveness and York’s admitted supreme grandeur.
Peterborough, by comparison, lies on the edge of the flat fens, yet in one of the primary areas of England for monastic development because of the remoteness of location. In its day, Peterborough Abbey was one of the most prominent in the whole of eastern England.

Originally the abbey church of Saint Peter’s Abbey, Peterborough, in the east of England, the present church was granted cathedral status (and thereby preserved) by Henry VIII, self appointed head of the Church of England, during the Reformation in the 1530s, which saw many former monastic buildings taken down and sold off. For this at least we should be grateful to England’s most notorious monarch.

words and photographs copyright Francis Barker 2019

One of the overlooked features of Peterborough, a growing city in the east of England, is the Parish church of Saint John the Baptist around the cathedral square.
Consecrated in 1409 during the reign of Henry IV, its close proximity to the cathedral and the modern shopping mall attraction of Queensgate, probably detracts large numbers of visitors. However, it is well worth a visit, and as is quite usual in England’s medieval heritage buildings, there are often some wonderful ‘hidden’ gems.

The south porch entrance is most interesting, particularly the roof in the above photograph.


The nave is very large and light with a rood screen.

There is also a wonderful reredos.

One of the most interesting features is this probable vestments cupboard, dated 1569, a wonderful piece of woodcarving, which I would think is limewood, similar in style to the plethora of such art produced in Germany during the same period.

The pulpit too had some intricate woodcarving, probably oak by the look of it, although I did not find a date on it, but I would assume it is later than the earlier piece.

There are even a couple of examples of medieval embroidery by the door.
words and photographs copyright Francis Barker 2019

copyright Francis Barker 2019