
Nature of the realm
I dispute – your sovereignty
indisputable
Copyright Francis 2021
Nature of the realm
I dispute – your sovereignty
indisputable
Copyright Francis 2021
Catherine married the heir to the English throne, Arthur Prince of Wales, in 1501. However, Arthur died soon afterwards. When Arthur’s brother, Henry ascended the throne on the death of his father in 1509, he quickly married his brother’s widow, forging an important alliance between England and Spain.
However, over the course of the next twenty years, Catherine failed to deliver Henry a living male heir, her only major ‘crime’. Following a long protracted dispute between Henry and Papal legates, during which the Pope refused to annul the marriage, Henry declared himself Head of the Church of England, allowing him to divorce Catherine and marry his mistress, Anne Boleyn in 1533.
Catherine died in January 1536 at Kimbolton Castle, and is buried in Peterborough Cathedral.
copyright Francis Barker 2019
Peterborough is a modern city, with a population well over 200,000. After WW2 Peterborough was no bigger than a large market town – with one of the best cathedrals in England.
Until the Dissolution of the Monasteries in the late 1530s, Peterborough Abbey was one of the largest monasteries in the whole of eastern England. Luckily, at the time of the Dissolution. Henry VIII granted Peterborough city status by allowing the abbey church to become a cathedral. We should at least be grateful for that and that it is still a magnificent structure today, with modern elements incorporated inside.
copyright Francis Barker 2019
The Gothic fan vaulting at the east end of the cathedral is remarkable.
The cathedral also has three notable shrines to saints. The one above is Saint Oswald’s chapel, an old English saint, whose remains (reputedly an arm) were brought here.
There is also a shrine to Saint Benedict with a beautiful wood carving at the entrance. Peterborough Cathedral is in fact the Abbey church of the former Benedictine Abbey, dissolved by Henry VIII when he became head of the Church of England.
Most interestingly, there is a shrine to three old English (Anglo-Saxon) saints, Kyneburgha, Kyneswitha (spelling varies) and Tibba, unusual but fascinating names of a largely forgotten era.
The spacious choir has some wonderful wood carving.
words and photographs copyright Francis Barker 2019
The long nave is quite stunning, with a beautiful roof and with a modern golden image of Christ suspended high as a focal point.
The cathedral is dominated by Norman and early English architecture, with numerous examples of Norman arches, such as these interlacing examples above.
The cathedral is also notable for its association with two famous queens.
The first was Catherine of Aragon, Queen of England when she was married to Henry VIII. Catherine was buried here in 1536 and her tomb is still something of a shrine to her memory, with pomegranates very prominent as her symbol because the fruit appears on her badge. Pomegranates are an ancient symbol for fecundity and regeneration.
Catherine certainly suffered much during her husband’s long and protracted break with Rome, in which she was the innocent victim, her only crime it would seem was not being able to produce a living male heir for Henry to perpetuate the Tudor dynasty. This was how she was treated after being completely dutiful to the king, but Henry had to have his way. Her motto, which translates as ‘humble and loyal’, is a phrase she very much lived up to.
The second queen associated with Peterborough Cathedral is Mary Queen of Scots.
Mary inherited the Scottish throne after only a few days of being born, thrusting her into a world of political intrigue and shenanigans which she was never able to control.
She essentially became a pawn of more powerful rulers and some despicable characters. However, in 1559 she duly became Queen Consort to Francis II of France, solidifying Scotland’s long alliance with France.
Sadly within 18 months the young kind died prematurely. Had he lived, Mary’s life would have turned out entirely differently. As it was, she became a teenage widow and a long series of political and personal disasters ensued when she returned to Scotland. Eventually she fled to England and came under Elizabeth’s control.
After many years’ imprisonment in England, during which the still substantial Catholic faction within England with aid from Spain continually conspired to depose Elizabeth and put Mary on the English throne, she was finally executed at nearby Fotheringhay Castle in 1587.
She was initially buried in Peterborough Cathedral, but her son, James I of England, had her remains transferred to Westminster Abbey in London.
words and photographs copyright Francis Barker 2019
This might be due in part to Lincoln’s prominent setting, Ely’s architectural distinctiveness and York’s admitted supreme grandeur.
Peterborough, by comparison, lies on the edge of the flat fens, yet in one of the primary areas of England for monastic development because of the remoteness of location. In its day, Peterborough Abbey was one of the most prominent in the whole of eastern England.
Originally the abbey church of Saint Peter’s Abbey, Peterborough, in the east of England, the present church was granted cathedral status (and thereby preserved) by Henry VIII, self appointed head of the Church of England, during the Reformation in the 1530s, which saw many former monastic buildings taken down and sold off. For this at least we should be grateful to England’s most notorious monarch.
words and photographs copyright Francis Barker 2019
They smile when I shut the heavy, creaking door,
from behind their neat wooden kiosks
stuffed with pamphlets and insipid books.
Smiles of recognition, a nodding
acceptance as if to say –
‘Oh, it’s you!’ Volunteer women serving Christ
better than those above them in Church.
I walk along the emphatic southern aisle under
uber-Norman arches, at the far end of which
hangs a limp flag of Saint Andrew,
in honour of Mary Queen of France, Scotland
and some say of England, too.
Glancing to my left a young man kneels,
wringing hands beneath a life-size figure
of a crucified Jesus, hanging high in space.
He stares upwards, rocking gently back and forth,
as if imploring Him to be real,
to writhe, sweat, bleed, perhaps to save Himself
and then, somehow, to save him as well.
I’m here to light a candle outside
Saint Oswald’s shrine and to sit for a time
in silence inside the tidy chapel,
to pray for a poor boy in pain,
perhaps to ponder on those relics,
those bits of bodies and other things,
worshipped once and then dispersed,
despised in fractured minds,
to us now mostly objects of indifference.
Oswald’s arm must lie hereabouts,
known to someone who still believes
in its restorative power, like the monks
who consumed this place, where Domesday
came and went without event,
where the Chronicle of a people faded to grey
in an undrying ink. Still it awaits the next line.
In this fossil the dead are lucky.
They are dead but in faith, whereas I roam
restlessly among echoes of whispers,
a heartless void. I cut across through the choir
to find I’m not alone, where the true
Queen of Hearts lies. Letters of gold spell
her name to all, but for me she smiles
brighter than anyone alive,
a smile from scorched Iberian lands,
her fate to end up on this drab island
where fashioned pomegranates mark her spot,
from which she expects to rise
at some glorious hour, where, until then,
the anonymous faithful lay fresh fruit
and flowers to mark her special days.
I watch a tourist, a German tricolour sewn
onto his rucksack, as he reads
the commemorative words. A sudden,
unexpected pride washes over me
while he pauses on her ground to think –
where I was once intrigued.
Almost believing.
copyright Francis Barker 2019
Pomegranates
They smile when I shut the heavy, creaking door,
from behind their neat wooden kiosks
stuffed with pamphlets and insipid books.
Smiles of recognition, a nodding
acceptance as if to say –
‘Oh, it’s you!’ Volunteer women serving Christ
better than those above them in Church.
I walk along the emphatic southern aisle under
über-Norman arches, at the far end of which
hangs a limp flag of Saint Andrew,
in honour of Mary Queen of France, Scotland
and some say of England, too.
Glancing to my left a young man kneels,
wringing hands beneath a life-size figure
of a crucified Jesus, hanging high in space.
He stares upwards, rocking gently back and forth,
as if imploring Him to be real,
to writhe, sweat, bleed, perhaps to save Himself
and then, somehow, to save him as well.
I’m here to light a candle outside
Saint Oswald’s shrine and to sit for a time
in silence inside the tidy chapel,
to pray for a poor boy in pain,
perhaps to ponder on those relics,
those bits of bodies and other things,
worshipped once and then dispersed,
despised in fractured minds,
to us now mostly objects of indifference.
Oswald’s arm must lie hereabouts,
known to someone who still believes
in its restorative power, like the monks
who consumed this place, where Domesday
came and went without event,
where the Chronicle of a people faded to grey
in an undrying ink. Still it awaits the next line.
In this fossil the dead are lucky.
They are dead but in faith, whereas I roam
restlessly among echoes and whispers,
a heartless void. I cut across through the choir
to find I’m not alone, where the true
Queen of Hearts lies. Letters of gold spell
her name to all, but for me she smiles
brighter than anyone alive,
a smile from scorched Iberian lands,
her fate to end up on this drab island
where fashioned pomegranates mark her spot,
from which she expects to rise
at some glorious hour, where, until then,
the anonymous faithful lay fresh fruit
and flowers to mark her special days.
I watch a tourist, a German tricolour sewn
onto his rucksack, as he reads
the commemorative words. A sudden,
unexpected pride washes over me
while he pauses on her ground to think –
where I was once intrigued.
Almost believing.
image and poem © copyright dfbarker 2012
*poem first published in poetry collection ‘Anonymous Lines’, available at amazon.com
**image from part of an historical reconstruction I did in watercolour of Spalding Priory, as it might have appeared in the fifteenth century.