Haiku: ‘Bloomsbury Setting’

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Pavements’ sodden steps
Gold leaf alabaster squares
Forster crying Woolf

Copyright Francis Barker 2020

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Passing through Tower Bridge — Passport Overused (Reblog)

It was a dark and gloomy day. A normal occurrence in this part of the world. However, it was a lot more cloudy than usual. To my surprise and ignorance, it started to rain hard. Like being hit with a garden hose, I was soaked. I had to find a store that sold ponchos and…

via Passing through Tower Bridge — Passport Overused

***London may be relatively empty right now due to the coronavirus restrictions, but that leaves more room to see the sights for the intrepid. Great post.

The 1960s Cultural Revolution – Part 2: Endemic Revolution

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In part one of this topic I commented on the social and cultural changes instigated around the mid 1960s, breaking off my narrative around the end of 1965 with the supremacy of The Beatles. I argued that the deep, fundamental astrological influence of the outer planets, most particularly the conjunction of Uranus and Pluto in 1965/6 was symbolic of these changes.

The first meeting of Uranus and Pluto was in October 1965, followed by two more conjunctions on April 6 and June 30 1966. The changes were truly worldwide, seemingly polarised in nature, all enhanced by media manipulation and/or the growing promotion of drugs like LSD. The latter is symbolised by Neptune’s positive sextile aspect to the other two outer planets at this time. Even sex was liberalised with the introduction of the pill, pushing the idea that women could be as ‘free’ as men.

At the same time we may have viewed the Cultural Revolution in China as being the opposite of the ‘liberation’ going on the ‘West’, perhaps seen in ‘reactionary’ Saturn being in opposition to the Uranus Pluto synod.

Yet when we analyse the rather divergent political systems, the actual processes were the same – revolution fostered by a saturation of propaganda, all to gain maximum power and control. Uranus upturns, Pluto grabs the reins, with Neptune providing a little deceitful cover in the form of film and other media propaganda as a way to persuade and ultimately deceive.

Pivotal London

China aside, just like the Uranus Pluto conjunctions of 1850/1, London and England once again seemed to be pivotal to the cultural changes, with the so called ‘British Invasion‘ and London becoming the hub of the new fashion scene, epitomised by such manifestations as Carnaby Street.

Interestingly the Beatles landmark album ‘Revolver’ (that is, revolution) was released in August 1966, a summation in music of what was going on. It was indeed a very revolutionary catalogue of songs, utilising unusual, highly sophisticated writing and recording techniques. This was truly one of the cultural icons of the age, symbolising innovation and change (Uranus) in music (Neptune), to instigate a change in the guard (Pluto).

Back in September 1966 Jimi Hendrix, arguably the most brilliant and influential guitarist ever, was brought to England, a step which was to propel him to superstardom at rocket speed within weeks. Although he would be dead within four years, Hendrix typifies the period of sudden change and vast, worldwide influence – a meteoric career indeed. Yet his star still burns bright in the minds of many today.

’68 – Year of Revolution

If 1966 really was the pivotal year, it led directly to the ‘Summer of Love‘ in 1967 and the explosion of creativity in art and culture, transcendental meditation et al. Accepted paradigms were being questioned, which in turn led to the 1968 year of revolution, which came very close to bringing down the French government, for example.

1968 was probably the most tense and tragic year of the decade. The Vietnam War was at its height, as were the protests against it. The call for change, positive or otherwise, was reaching a crescendo. Political leaders who might have been able to bring about such change, such as Martin Luther King Jr and Senator Robert Kennedy, were assassinated in the melee of confusion and hate.

Trying to assess the situation is difficult because of its complexity and the benefit of hindsight is indeed a valuable thing. It does not appear to be a simple case of left versus right, or even right and wrong.

Collective Uranus

Astrologically, Uranus has often been seen as ‘right wing’, but I disagree. I think Uranus simply represents the force for change, revolution, literally turning things over, as in the name ‘Revolver’. I therefore see Uranus as more what we might call ‘left wing’.

Pluto is fundamental, often the hidden power behind the scenes. As I have said, Neptune working in tandem provided the medium (music, art, film)  through which such changes could be started in that 1965/6 period.

Yet behind the passion play which was the 1960s narrative, was another, the so called ‘Space Race’, ultimately won by the USA when America landed a spacecraft visibly on a lunar surface.

Race to Oblivion?

The date was July 20 1969. Intriguingly, on this very day Uranus, planet of change and breaking barriers, was exactly conjunct the Greater Benefic Jupiter at 0 degrees Libra. To me this symbolised a conquest, not merely through the fact of the news headlines which followed, but in the long term reconfiguring of humanity at a global level. The lunar missions would peter out by the end of 1972 in a climate of disinterest: few would have predicted that.

Uranus is often credited in creating ‘individual’ tendencies when strong by position or aspect; it can manifest in individual personalities in traits like eccentricity. Nevertheless, Uranus is ultimately trans-personal and collective.

Continual Revolution – and Disillusion

It is no surprise all three outer planets were ‘discovered’ at times of great, revolutionary change; 1781, 1846 and 1930. The political manifesto most associated with all three the outer planets is socialism, a collective philosophy which has now spread to the entire world in various forms.

The 1960s began as an era of much promise, with a young American president taking office. The mid 1960s witnessed a vast cultural revolution, manifesting in various ways, depending on the political milieu of each country, though the same radical tactics were used. These were based on disruption and chaos (Uranus), confusion and deception through promotion of drugs and media (Neptune in aspect to both) and surreptitious power grabs (Pluto).

It is a sobering thought that the 1960s symbolically ended with the tragedy of the Altamont Festival on December 6. What had it all been for? Yet we are still living with the effects of the 1965/6 synod of Uranus and Pluto. The opposition will not be for a couple of decades. What kind of world will it be by then?

Copyright Francis Barker 2020

The Great Exhibition of 1851 in London – Astrology Musings

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It is fairly clear to me that the timing of the opening of the 1851 Great Exhibition in Hyde Park, London, was certainly by design. I contend that this event encapsulated the then zeitgeist, thereby setting in motion a new world at all levels.

We need not be surprised by this. Astrologers had for centuries been consulted as to the most propitious time, astrologically, to begin a new project, a marriage, business, government, reign, or even country.

One of the most well known examples is John Dee’s choice of day and time for the Coronation of Queen Elizabeth I of England on January 15 1559. We can speculate as to the wisdom of his choice, although historians have certainly been highly favourable when writing about the so called ‘Virgin Queen’ ever since.

Astounded

When I found out the the date and timing of the opening of the Great Exhibition, I immediately looked at the chart – and was astounded, though not entirely surprised.

I will begin with the date itself, May 1. May Day has long had traditional pagan associations. In fact it would appear that this date was considered the most important of the year until fairly recent times, so we are told. The festival of Beltane celebrated the turning of spring into summer, usually involving fertility rites, bonfires, even sacrifices.

Then during the 19th century this same date became associated with international workers rights and the advance of international socialism. So at the very least, the choosing of this date is most intriguing. Even Queen Victoria herself made reference to “strengthening the bonds of union among the nations of the earth.” There was an internationalist flavour to this and all world’s fair events like it.

John Bull at his apogee

So let’s get into the meat here. By all accounts the exhibition opened around midday, soon after Queen Victoria, Prince Albert and their entourage entered the Crystal Palace. At this juncture the Taurus New Moon was only a few hours old, with both of the major luminaries conjunct the Taurean Midheaven of the chart, the part of the chart signifying goals and ambition.

A new Moon, or the ensuing hours after it, are traditionally thought to be the best time for new beginnings of any kind. In Taurus, anything to do with money or construction will be favoured, as long as it is also well aspected. The Moon is said to be exalted in Taurus, at her most fecund, promising further success.

This is highly symbolic timing for the beginning of this exhibition. It was not only to exhibit to the world the technological, economic and cultural hegemony of Great Britain for the next six months, but was meant to set the course for the remainder of this very ‘British century’, John Bull (Taurus) literally at the apogee, if you will. Taurus loves to establish and have firm footings.

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Pax Britannica – Great Britain ruling the waves

Appropriately enough too, royal Leo is on the ascendant loosely conjunct the fixed royal star Regulus. This makes the Sun ruler of the chart, as befits this very royal, if not imperial project. Although Queen Victoria was to lose her consort Prince Albert in 1861, she went on to become probably Britain’s most famous monarch – and Empress of India.

Interestingly, there is also a Venus Mars conjunction in Aries in the 9th house of philosophy, enterprise and long distance travel. The thrust of Mars is given a certain belligerence in his own sign, plus carte blanche to take it to the furthest corners of the earth.

The presence of Venus here adds a kind of benevolence too, maybe even the idea of Pax Britannica, the British Empire on which the sun never set. Great Britain ruling the waves (and pretty much everything else) indeed, as she proceeded to do for the next seventy five years.

Revolution meets irresistible force

However, this chart works on many layers, some of them quite deep. Around six weeks earlier in late March 1851, Uranus and the then undiscovered Pluto made the last contact of their recent coming together in Aries, a sign which is also strongly associated with England and Great Britain.

For example, the Christmas Day chart of 1066 set for the coronation of William I of England, has Aries on the ascendant. Many astrologers believe this chart still has much resonance today, and the Venus Mars conjunction in Aries in the Exhibition chart also links up with the 1066 chart’s action oriented Aries ascendant.

Now Uranus and Pluto meet up around every 172 years, so this represents a highly significant time astrologically. On the face of it, no one knew about the existence of Pluto at the time. Both Uranus and Pluto are still close together in the 1851 exhibition chart, straddling the Aries Taurus boundary. What is more, around the same time Saturn passed over both of these outer planets in late Aries and early Taurus.

With this I believe we get into some pretty deep territory. Since the discovery of Uranus in 1781, this planet became associated with sudden change and upheaval. Hence the revolution in France and the so-called Industrial Revolution, for example. It is as if an awareness of or need for change had suddenly entered our collective consciousness – the notion of ‘progress’, technologically and culturally.

Superconscious, transpersonal – or magical power?

However, if we think of this new discovery as a higher octave, or rather a superconscious (transpersonal) aspect of communicative Mercury, we might also get a better understanding of principles like insight, breakthrough and invention.

Maybe we have here the ability to draw on transpersonal energies – Uranus representing the initial breakthrough beyond the limiting boundary of Saturn, even if Ouranos, the old sky god which the new planet was named after, is in fact, ironically, the father of Saturn in myth.

Perhaps the discovery, or even rediscovery of Uranus, is symbolic of the return of the magical power of the older gods.

If we consider the then undiscovered Pluto to be transpersonal power, as opposed to the personal expression of energy as seen in Mars, and all the potential danger that represents, then I think we get some idea as to the real significance of this new cycle which took place in Taurus in 1850 and into 1851.

Subterranean

It is almost like the magician Uranus utilising the deep power of Pluto for future use without mankind being aware of such subterranean force. Saturn passing over both just afterwards is acting like a coalescing agent of this transformative energy in the material world, a changing of the guard and setting the scene for decades ahead.

Every conjunction of Uranus and Pluto marks the beginning of a new cycle which appears to manifest in our world as a force for social and cultural change, but especially since 1851. The energies of transpersonal change and power come together as an almost irresistible force. People will argue as to the benevolence, or otherwise, of this energy.

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It would appear the power of this conjunction was being felt at least a year or so beforehand too. Look at the revolutions of 1848, for example, the biggest uprisings Europe as a whole had ever known, at least according to the known history. And even though little political change actually transpired as a result, the cultural significance in the long run was indeed manifest.

Setting the seal and precedent

We can therefore see that the Great Exhibition of 1851 did indeed set the symbolic seal of the times, showcased in the almost unbelievably magnificent Crystal Palace. The exhibition closed in October 1851. Then, remarkably, the great cast iron and glass edifice was transferred to another site in London. It seems little was beyond these Victorian engineers.

So ultimately, I believe the chart set for the inauguration of this important event is indeed highly symbolic. The next six months encapsulated Britain’s inheritance from the old world, yet more importantly, presaged her empire’s predominance in the world and the true beginning of ‘globalism’.

The beginning of globalism

Significantly, in the same year of 1851, we also see the establishment of the prime meridian of Greenwich, making London the de facto capital of the world.

It was around this same juncture too that one of the most important French literary figures, Victor Hugo, made a prophetic speech in regard to the idea of a united Europe. Even though such a ‘dream’ has never quite come to fruition, we can perhaps see the germ of this idea developing around this time, those first steps toward a global world.

The superpower which was Great Britain at the time was only nominally patriotic, in my opinion. Yes, Britons at the time could be proud of their empire, yet the real reach and purpose of this manifestation was to create a global world where the nation state, ultimately, would become redundant. The pros and cons of this movement are debatable.

The next meeting of Uranus and Pluto was in the mid 1960s. By then the idea of Pluto’s transformative power had entered our mainstream consciousness, having been discovered in 1930. This foreshadowed the next stage of social and cultural change – but that’s another article.

Copyright Francis Barker 2020